Showing posts with label Egyptian culture. Show all posts
Showing posts with label Egyptian culture. Show all posts

Tuesday, December 2, 2014

THE ASSIUT QUEEN


 Assiut Queen Dawn Devine aka Davina: Photo by Alisha Westerfield


Quite a few dancers can brag about having a career  that spans a quarter of a century, but not that many of them can also claim concurrent and wildly  successful careers  as costumers,  art historians and  authors! The multi-talented  Davina, aka Dawn Devine  can…only thing is, she doesn’t gloat about it, she’s  much too  nice – and busy- for that sort of thing. Easy-going, sweet and funny, Davina is so understated about her vast accomplishments, that even if you know her, they might surprise you!

Dawn has so many college degrees, they practically form their own alphabet, and in addition to performing and teaching belly dancing and costuming classes throughout the USA, she also has numerous museums show credits.  She is an expert on antique textiles  (especially Assiut, but more on that in a minute!)  Victorian clothing, and vintage couture, with many lecturing engagements under her tasseled hip belt.  She also   a slew of informative, instructional   costuming books to her credit, including Embellished Bras, Costuming from the Hip, From Turban to Toe Ring, Bedlah, Baubles and Beads and Style File.

Rayah wears a vintage assiut shawl from the collection of Judeen Esau.  This gorgeous piece has a rich blue groundcloth and a golden hue to the metal.  Photo by Alisha Westerfeld
 As anyone who knows her can attest, Dawn is a walking encyclopedia on anything concerning belly dance costuming, but her favorite subject, and most enduring obsession is Assiut, the gorgeous traditional net and metal fabric named for the    Egyptian city of the same name.  All belly dancers, no matter what their preferred style, are in love with Assiut.  Spotting a vintage piece of Assiut on eBay causes dancers to bid like maniacs, eager to  part with their rent money. Merely mentioning it  on social media causes comments like “I’m drooling all over my keyboard!”  And in real life, a shawl of vintage Assuit at a flea market has been known to induce catfights.

 Davina’s  own Assiut mania began this way:

My love story began in a crowded antique store, filled with dusty cases holding tumults of vintage items. I turned and looked across a crowded room and my life changed.  In an instant the rest of the world disappeared and I only had eyes for one thing. My love story began in a crowded antique store, filled with dusty cases holding tumults of vintage items.  There were jewelry pieces and objects d’art. There were trinkets and baubles, the day-to-day objects that populated the lives of our ancestors, 60, 80, 100 years ago.  But there, draped gently over the edge of a photo frame, and laid delicately across a shelf was my beauty.  She was creamy and soft, with pewter-toned metal stitches.  It was Assiut, and it was going to be mine!”
 
                        1920's French silent screen actress Stacia Napierkowska in Assiut


 Since that fateful moment, she’s been hooked on Assiut, also known as tulle bi telli.  It became a hobby, moved into a personal mania phase, and then, it took over her life! Now, she’s spreading the love- and her vast knowledge.


Davina’s latest book, done with  photographer and belly dancer Alisha Westerfield,  The Cloth of Egypt: All About Assiut was just published.  The book is gigantic, highly informative, impeccably researched, and loaded with incredible  vintage photos of Assuit, as well as step-by-step instructions  for fabricating costumes.

Even before the book was a glimmer in her eye, Davina   spent years researching Assuit, not to mention fabricating high-end, custom-made costumes for herself and many other dancers.

She says,

“I committed myself to a massive interdisciplinary research project with one simple mission, find out everything there is to know about the cloth we call Assiut or tulle bi telli.  The result of years of research, months of writing, crafting hundreds of costumes, dozens of photo shoots, is my new book “The Cloth of Egypt: All About Assiut.” 


 In honor of the book’s publication, Davina has  complied a list of facts on Assiut exclusively for this blog, here it is:


1 - Assiut is made from cotton.  Frequently, antique Assiut is labeled as silk, linen, or a blend, but the truth is that vintage Assiut cloth is made from finely spun, high-twist Egyptian cotton.  

2 - Assiut can be spelled in a myriad of ways.  Arabic cannot be easily translated, so rather, it’s transliterated by ear from spoken Arabic to written English, with British and Americans sounding out the words and writing them down phonetically.  This leads to more than 50 spelling variations.

3 - Most people know that the phrase tulle bi telli means “mesh with metal”... but few know that this is a marriage of three languages.  Tulle is from the name of the lace-making capital of France.  Telli is from Turkish word Tel, which means metal.  Bi is “with” in Arabic. 

4 - Assiut is a single-stitch embroidery technique.  The stitch is made with flattened metal wire called plate, and the stitch is made using a blunt tipped double-eyed needle. 

5 – Antique Assiut cloth was made by the thousands of yards and was considered the essential souvenir for travelers down the Nile during the British occupation of Egypt.  British, American, Russian, French, And Italian women all collected and coveted Assiut cloth for it’s supple drape and metallic gleam. 

6 - Vintage Assiut pieces come in three sizes.  Scarves, narrow enough to wrap around the neck, head or hat to keep flies, gnats and mosquitos off of the face.  Shawl sizes, which were designed to be worn as wraps about the shoulder, were wide enough to envelop the body, but short enough to be easily handled by the wearer.  Opera wrap or piano shawl size, which was the longest and widest, designed to fit over a grand piano, or to wrap around the body, and still have enough left to elegantly drag along the ground, a shimmering train of exotic abundance.

7 - Modern Assiut should be pounded or rolled to press down the individual stitches.   Machine wash on gentle and tumble dry low in a mesh lingerie bag to keep the stitches from catching, and pulling.  Vintage Assiut should always be hand washed and dried as flat as possible.

8 - Assiut is associated with weddings in Upper Egypt. Some of the most popular motifs are directly related to wedding symbology. Camel figures with plants, stars, or even stylized men, represent the groom.  The female figures, often holding hands, or with arms raised, represent the bride and her bridal party.  Other common images that appear in Assiut wedding shawls include combs, for preparing the brides hair, perfume bottles for anointing her body, and diamonds, protective shapes with talismanic properties to protect the bride on her special day.


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Purchase a copy of “The Cloth Of Egypt: All About Assiut” here:

 
The book's cover: I'm wearing an Assiut bra made by Davina & a pre-1919 white Assiut shawl
Photo by Alisha Westerfield



Tuesday, April 29, 2014

SAHRA SAEEDA'S JOURNEY THROUGH EGYPT: FROM THE PAST TO THE FUTURE AND BEYOND...





 Sahra Saeeda is an international treasure, one of the grande dames of oriental dance. She is to Egyptian dance what Howard Carter and his discovery of King Tut's tomb were to the world of archaeology.

She’s taught and inspired thousands of dancers all over the globe during the course of her incredible career.  She is a generous and giving instructor, passionately sharing wealth of knowledge of raqs sharqi and Egyptian folklore, in both her international dance workshops as well as her popular four -part intensive, Journey Through Egypt, which she also presents around the world.  Her incredibly elegant, soft and thoroughly Egyptian style of belly dance is gorgeous, and she performs with command and grace, reflecting an almost otherworldly passion for the dance that is extremely rare. She has always been a huge influence on me, not only as a baby dancer, but also to this very day…and I’m sure many other dancers can say the same thing!

  Sahra is quite possibly one of the world’s leading authorities on Egyptian dance, and her position is unique: though scholarly and thorough in her approach, her writing and field research is never dry or boring because she adores her work.  And unlike almost any other scholars, Sahra didn’t just study the dance in its myriad forms, she lived it.

Sahra at UCLA with Mahmoud Reda & Farida Fahmy
  She is one of a small handful of foreign dancers to have really “made it” in Egypt, becoming a star.  In 1983, a fortuitous chance meeting with The Reda Troupe’s legendary diva Farida Fahmy at UCLA’s Dance Ethnology Masters program where they were both studying, lead to a longstanding and close friendship, which ultimately facilitated Sahra’s move to Cairo.


 Sahra recalls,
“I was doing my Masters Theses on the zeffah – the Egyptian bridal procession- and was asking questions but getting all sorts of different answers. When I asked (Farida Fahmy) about this, she asked me if I knew what cities, villages or areas the people I was talking to were from; or if knew anything about their class, socio-economical group, or that sort of thing.  She told me that the only way I would really find out the answers was to come to Egypt…so I did!”

Sahra with Sayyed Al Joker, in the Le Meriedien days
  In 1989, Sahra departed for Egypt, on what was supposed to be a three month long research trip. Instead, from an audition Fahmy set up, Sahra wound up living and working in Cairo for nearly six years, performing nightly at the chic Le Meridien Hotel doing countless shows with her own orchestra and back up dancers.

  As if that wasn’t enough of an accomplishment on it’s own, in between rehearsals and shows, she used her time to put her extensive scholarly background in Athrolopology and Dance Ethnology to work.   Throughout the years, Sahra’s creative output has been as significant as it is prolific- there are few artists whose body of work can compare to hers. Aside from making terrific performance  & instructional videos and recording music CDs while in Cairo, she also did extensive field research, filming all over Egypt.


Saidi Wedding, shot during a JTE research trip
 Journey Through Egypt is based on her work, study and lifestyle, and has been an absolute must for dancers of all levels for years. Recently, JTE has gone online, providing a much-needed resource   for dancers who really want to understand where these unique folkloric traditions stem from.

 And even more recently, Sahra has started a Kickstarter fundraiser to convert her   extensive library of over thirty years worth research to digital file before they disintegrate- and so they can be put on line.  She has hundreds of audio cassettes and video tapes to digital, so they can be put online, preserved as a resource for anybody- dancers, musicians, scholars, costumers, dance aficionados- to study and enjoy into the future.

“During my time in Egypt, I sought out people to interview about the various dances found throughout the country and more…. from stars to  “lower class” dancers- it doesn’t matter to me, it’s all valid, and all of it needs to be preserved!”,
Sahra says. Taking a breath, she continues,
“Recently I rounded up all of the old tapes that had been scattered about my office and storage unit and my assistant and I found over two hundred cassette tapes packed with research footage on the various dance zones of Egypt!”


Sahra with superstar Fifi Abdou, Cairo, 1990's

There are books in the works, too, which will be presented in both online and hardcopy format.
“ The way I am doing the series of books is similar to my Zeffah Primer. It will be a series, with each book about fifty pages,” she says,

 “The first "volume" of each region will be an overview of the area and the dances within it.  I like to structure my research this way:
1. To note which dances are of the indigenous (non-professional) population in their daily lives

 2. The local professional dancers & musicians and how they dance

 3. How the regional group represents the dances of each area of the country

 4. How Mahmoud Reda and the Reda Troupe represent this region's dances on the theatrical stage

 5. The way the Kowmeyya Troupe does the same

 6. How Cairo entertainers (particularly belly dancers) represent each region’s dances in the professional context of their shows. “

 Though this is a massive undertaking, clearly Sahra is more than enthused   to continue   her important work, her life’s work. The incredible response to her Kickstarter funding project has been more than she could have ever hoped for.

“ Now I can keep returning to Egypt to do even more research!”                               
Bedoiun girls from the Siwa Oasis

  She adds, “And I can also hire a professional videographer and sound person, instead of taking film on my crappy little camera, with the sounds getting drowned out by Cairo traffic! I’ve secured a fantastic interpreter from Aswan who used to work with National Geographic, too!’

 She stops for a moment before admitting,

“I’m so overwhelmed an honored that I get to do this… we’ve reached above and beyond even our Stretch Goals, and everyone has been so generous…. the comments and the things people are saying…well, I’ve actually been sitting here crying with happiness for the past three days!”

 If you would like to make Sahra cry even harder- and help preserve the history of our art for future generations by contributing to this important project, please visit this link, which will be live for only FIVE MORE DAYS:

Keep up with all of the news on Sahra’s JTE Facebook Page here:


 
In Situ: Sahra in Aswan, Egypt, 2013