Showing posts with label raks sharki. Show all posts
Showing posts with label raks sharki. Show all posts

Monday, December 10, 2012

BELLY DANCE TRAVEL AND TOURISM- STAYING SAFE & SANE: PART THREEE




 This is Part Three in a four-part series on belly dance travel and tourism. Even with the  social unrest in the Middle East and North Africa, many dancers are eager  to  travel to research, study and immerse themselves in  Oriental Dance.  If you're armed with  some knowledge about the places you'll be visiting  and  know what to expect  before and during your trip, you'll have a much better time.

 In this series, I'll cover everything from  keeping healthy and staying safe abroad to buying costumes; from cultural and social differences  to  breezing through security at  airports; from  communicating socially to haggling for a bargain.  

I learned all this stuff the hard way… but you won’t have to!





Dance Festivals, Tours And Classes
For most dancers, the idea of going on a belly dance tour or attending a dance festival in one of the countries where the dance originated is heaven on earth. Imagine getting to see performances from your favorite dancers-many of them living legends- and also being able to study with your idols… in between sightseeing and shopping excursions!  It’s not just a dream come true, it’s also likely that your trip will exceed your wildest fantasies! You’ll witness scenes that look like they just popped off the pages of a history book, you’ll hear incredible live music, absorb the culture, and be dazzled by the magic of it all.

 However enthusiastic you are, (and I’m relatively sure you’ll be bouncing off the walls just thinking about it) you need to acknowledge that pretty much everything you do will be a “peak experience”. Keep in mind the fact that you are mortal, and concentrate on reigning yourself in just a little, going for quality, not quantity.

 At dance festivals, you’ll want to take every class- and attend the gala shows, sign up to perform, shop for costumes, and talk to all your new friends from around the world. On tours, you’ll be waking up at 5:00am to visit ancient ruins, exploring the countryside and major cities, going to nightclubs, wandering through bazaars, museums and mosques and taking private classes.

There will be so much you want to do, there’s no way you’ll be able to do it all… so choose your activities wisely.

 Instead of booking non-stop dance classes, just pick workshops with your favorite instructors, (or someone who is highly recommended) and schedule in a little bit of downtime for yourself. Take advantage of your hotel’s pool or spa services.  Don’t feel the need to participate in every activity that is offered, whittle down your list of potential excursions to those you are really interested in. You might even want to spend a relaxing evening in your hotel room, enjoying room service and the amazing selection of Arabic music videos that are on television 24 hours a day. A couple of years ago, on a tour I was leading to Egypt, I once walked in on a roomful of girls tipsy on Duty Free wine, giggling hysterically as they watched “Oprah” dubbed in Arabic!

If you haven’t been to a foreign festival or on a tour before, this might seem impossible, but because of jet lag and your own excitement, it’s fairly typical to forget to eat or drink enough water. Add this to five or fewer hour of sleep a night, and you’re setting yourself up for disaster

Please remember that you need to stay well hydrated, well fed, and get enough sleep.  Injuries and illnesses typically occur when the body is exhausted- and trust me; you will be over-tired when you are traveling…especially at a dance festival!


The biggest piece of advice I can give you on attending belly dance festivals or going on dance tours in foreign countries is… pace yourself!


Buying Costumes
 Costume prices vary in Egypt, Lebanon and Turkey. There are always cheap souvenir costumes available at the souks, but these “airport specials” are most likely not worth bothering with if you are a professional dancer.

  In Cairo, custom made stage wear and off-the-rack costumes altered to fit you from top designers like Eman Zaki, Sahar or Hanan will probably run  $500.00 and up, but you can often get a discount if you purchase more than one.  Though many costume vendors will go for some  bargaining, most of the major ateliers will not, unless you are a regular customer.

If you’re not a “label whore”, you can easily find very nicely made, gorgeous costumes from up –and-coming or  “generic” ateliers for $60.00 - $350.00.

Bella of Istanbul does lovely costumes, but expect to pay Western prices for her custom made numbers. Even so, they are definitely worth it!

 Take your time and shop carefully, make a list of exactly what you want before you leave home…because your eyes will be literally popping out of your head when you see all the gorgeous stuff on display!



Friday, December 7, 2012

BELLY DANCE TRAVEL AND TOURISM: STAYING SAFE AND SANE, PART TWO



 This is Part TWO in a four-part series on belly dance travel and tourism. Even with the  social unrest in the Middle East and North Africa, many dancers are eager  to  travel to research, study and immerse themselves in  Oriental Dance.  If you're armed with  some knowledge about the places you'll be visiting  and  know what to expect  before and during your trip, you'll have a much better time.

 In this series, I'll cover everything from  keeping healthy and staying safe abroad to buying costumes; from cultural and social differences  to  breezing through security at  airports; from  communicating socially to haggling for a bargain.  

I learned all this stuff the hard way… but you won’t have to!



Jet Lag
Jet lag is inevitable when you are traveling through multiple time zones, but it doesn’t need to stop you from enjoying your trip! Get adequate sleep every night for at least a week before you depart, and of course, try to sleep on the plane. This isn’t always easy, due to the confines of airline seats, plus your own anticipation at the beginning of your journey. Bringing a travel pillow, earplugs and a sleep mask may help you to rest…flights to the Middle East and North Africa are long and tedious, so try to get at least a little sleep! Stays well hydrated on the plane, drinking at least a full glass of water every couple of hours if not more. Walk around and stretch every so often, too.

 When you arrive at your destination, try to acclimate yourself to the local time. If you arrive mid-day, expose yourself to sunlight and try to get on a regular sleeping and meal schedule as soon as possible. It’s better not to take a nap, even if you are very tired. Stay awake until the evening, and then get a good night’s sleep.  Since you will undoubtedly be running around seeing the sights and attending dance classes, make an effort to get at least seven hours of sleep every night, which is not always easy with jet-lag…or the later hours kept in exciting places like Cairo or Istanbul! To help yourself fall asleep, try Melatonin, herbal tea, or an over-the-counter or prescription sleep aid.


 Cash And Plastic
Almost everywhere in the world you go, you’ll be able to use your ATM card or credit cards at banks and major hotels. This way, you won’t have to worry about carrying a lot of cash.  Check on the fees; some are exorbitant.

 Be careful of ATM machines in small villages, remote or rural areas.  Many of these machines run out of money on a frequent basis, or are privately owned and tack on hefty fees. Some may not have the keypad letters and numerals and/or directions printed in a language you can understand, and others will literally eat your cards. Even in far-flung areas, there will be hotels or money changing bureaus that have currency.

 Though most hotels and hostels take credit cards, many smaller shops and restaurants do not. The larger Five Star hotels generally take travelers checks, or will change them for cash, but you may have to go a bank or special office. The cashless commerce concept is now worldwide, and   increasingly, traveler’s checks are becoming out-dated.  Personally, I don’t even bother with them anymore.

 If you don’t have a safe in your hotel room, you may be able to use the safe at the front desk, though I really wouldn’t advise this in anything less that a Four Star hotel. Do not leave any money (or valuables in general) lying around your room. And no matter what you have in it, always lock your suitcase when you leave your hotel room.



Food And Drink
 One of the great joys of traveling is enjoying the local cuisine, but many travelers also have stomach or intestinal problems that stem from sampling unfamiliar meals. This can be due to a number of reasons, including consuming food that is undercooked or on the verge of spoiling from being improperly stored. No matter what, it’s seriously not fun. This is where your Imodium and probiotic supplements come in!

 Whether you’re staying at a private home or Five Star hotel, I would advise against drinking water straight from the tap. Not to sound like a colonialist, but the water in many countries is not the water you are used to at home. It can run be infested with bacteria and parasites or way over chlorinated- either of which could make you seriously ill, or just wind up upsetting your stomach.  You can’t be too careful.

  I recommend that you even brush your teeth with bottled water!

The “beware of water” rule also applies to the ice in a soda or cocktail. You may think you are safe drinking a Coke or a Gin and Tonic since it’s not tap water, but the ice may be! Better to go without ice unless you are absolutely sure the water from which the ice was made is clean and filtered.

 And as far as booze goes, if you are a drinker and are traveling to a Muslim country, take advantage of the Duty Free wine or spirits at the airport, because any sort of alcohol will be awfully tough to find! Though it is available at major hotels and some restaurants, drinks are pricey and there’s pretty much no such thing as liquor stores.

 Fresh fruits and vegetables are abundant, and Western-style salads have also become popular and are available in most places.  Be wary of eating un-cooked vegetables outside of major hotels or tourist spots. Again, there is risk of bacterial infection, parasites, or the produce may have the residue of strong pesticides, which also could make you seriously ill. If you have any doubts about your   fruits and veggies, good rule of thumb is to only eat   cooked vegetables, and to only eat fruit with a tough skin that needs to be removed like citrus fruits, bananas or melons.  If you are concerned about not getting enough greens or fiber, bring supplements with you.

In larger cities, many restaurants now cater to a Western tourist clientele and offer vegetarian dishes; if you are a vegetarian or vegan, you’ll also find many traditional foods to eat at your destination.

 Some typical foods that are veggie-friendly- though not always vegan-friendly are:

 Falafel:  Also called tamiyya in Egypt, these are deep-fried, seasoned garbanzo bean patties, served on their own as well as in pita bread.

 Tabbouleh:  A salad made of fresh parsley, wheat bulgur, tomatoes and onions, with a dressing of olive oil and lemon juice

 Baba Ghanouj /Muttabal:  Roasted mashed eggplant salad or dip

Hummus: A chickpea and sesame paste served as a salad or dip

 Dolma, Dolmades, Yapraak Dolmasi, Wara Enab: Rice-stuffed, cooked grape leaves  *Sometimes the leaves are stuffed with meat and rice, so if you are a strict veggie, check on this before digging in

  Lebni, Laban Zabadi: Thick, rich Arabic yoghurt- a fantastic source of probiotics

 Fool Muhmaddas:  An Egyptian favorite, this is a savory bean stew, often eaten for breakfast with various toppings, including fried eggs.

Koshary:  Practically the national dish of Egypt, Koshary is a hot dish made of pasta in a spicy tomato sauce with lentils and fried onions- it’s delicious!

 Bread comes in many varieties throughout North Africa, Central Asia and the Middle East, and is usually freshly baked and delicious.  Butter and cheese of all types are also common.


 If you have any serious food allergies, copy this phrase down:

 “I am allergic to ______ and will become very sick, and possibly die if I eat it. Does this food contain _____?”


 Include your food allergies and type the phrase into Google Translator http://translate.google.com/# which will translate it into Arabic, Turkish, Greek, or basically whatever language you need.

 Keep the paper with this phrase in your wallet and show it to waiters any time you have any doubts about what the food contains… If you are not sure what is in the food, it’s best to skip it entirely.


Tipping:
 In many foreign countries, a service charge or gratuity is already added to your bill when you dine at a restaurant or order from room service in a hotel. However, there are plenty of other times when you will need to tip.  Always tip luggage handlers at airports, bellhops, and cab drivers. If you are on a guided tour, you should tip your guide, and tip the driver as well.  Some dance tours include these gratuities in their pricing, but others do not.  When a doorman hails a cab or arranges for a car, is customary to tip him. I also leave money for the maid or room cleaner in hotels as well. Going on a camel ride, sailing in a felucca down the Nile or having a jaunt in a hantour carriage? You guessed it, leave a tip!

 Often, on the street, especially in a larger city, if you are lost someone will assist you and possibly even walk you to the address you are looking for. In this case, it’s polite to offer a tip- often it won’t be accepted, but you certainly won’t offend anybody by doing this.

 Pretty much, if you want any sort of special service, however trivial, you ought to provide a tip. Always carry change and small bills with you for baksheesh, or tips.


 Bargaining
 Price haggling is normal in most Middle Eastern or North African countries, but it’s not proper to bargain everywhere. The shop owners in the bazaars and souks are fine to bargain with, as are street vendors selling souvenirs, it’s expected.  Don’t expect bargaining at department stores, grocery stores, large shops or the souvenir shops in the hotels.

 When haggling in the bazaars, go 50% - 70% lower than the price quoted to you, and work up from there. Most of the vendors have fixed prices in mind, but will always go in for some bargaining, it’s a tradition! If an item seems too pricey and the merchant won’t budge, simply thank him and walk away- usually, as if by magic, the price will come down!

When you are shopping, bear in mind that even inquiring about the price of an item may signal to the merchant that you are interested enough to buy it…there’s not really any such thing as “comparison shopping” at a souk! If you are about to purchase something, be prepared for a lengthy bargaining process. The way this usually goes is that the merchant will bring you into the store, sit you down and order out for complimentary tea, coffee, soda or water. You’ll be shown many versions of whatever you were bargaining for before you decide upon a mutually agreeable price. Sometimes this is a welcome break from the relentless heat of sightseeing, other times it seems like an awful lot of work just to buy something! Don’t be persuaded to purchase anything you do not want.
 If you are not seriously interested in an item, say so immediately so you don’t waste your time or the merchant’s.

 
Mobile Phones, Computers And Internet Access
 If you are bringing electronic items with you (battery chargers for cameras, your cell phone, iPad, etc.) you’ll need an electronic plug adapter or converter. Make sure you know what sort of outlets are used in the country or countries you will be visiting. Ask for assistance with this at any store where you can buy electronics or travel items.

 For email, instead of bringing your laptop or iPad, consider using the hotel’s business office or an Internet cafe and buying time on a card. Trust me, there will NOT be time for the endless social networking you may be used to back home…plus, in arid desert climates computers can be damaged by sand kernels or during travel…and they’re also easy to steal from hotel rooms!


If you own a smart phone, these usually work just fine all over the world, though again, rural and remote areas may have spotty coverage. Check your phone plan ahead of time to make sure that you can even make calls from overseas, and that you understand the charges involved. Overseas telephone calls from your room can be extremely expensive. If you think you’ll be making a lot of calls, you ought to be able to purchase   an inexpensive mobile phone at your destination for about USD $30.00-$50.00 and buy pay-as-you-go cards. This may be much less expensive than using your own USA cell phone or hand-held…. but be advised: on the phones, error messages as well as the keypad may be in Arabic!


As far as memory cards, film for non-digital cameras, batteries, and chargers- make sure you bring some extra along. These items are available universally, but, like any tourist destination, they will be expensive. Make sure to remember them; the ones available in the place you are visiting may not match your electronic equipment.

Put an automatic vacation message on your email or notify your friends and family about dates when you will be gone, let them know that you will check in, but may not be able to do so every day.




Appliances
As far as modern conveniences in many foreign hotel rooms or in the cabins on Nile cruises go, don’t expect the type of amenities you are used to in the USA or Europe.  Many hotels now have in-room televisions, blow dryers or steam irons- but some do not.  If you think you absolutely can’t live without your blow dryer, then by all means bring it along.  However, if you are touring the Mediterranean on a large commercial cruise line, you will probably be sailing in the lap of luxury.




Reading
 Depending on the country you are in, magazines and books printed in English or European languages can be tough to find, even at upscale hotels. If you are a big reader, plan ahead by bringing a couple of magazines or paperbacks with you… but trust me…you probably will not have time for much reading when you are traveling- I can’t tell you how many books I have taken along and never even looked at!




Tuesday, September 11, 2012

A BELLY DANCE MUST-HAVE: KARIM NAGI'S NEW RHYTHMATIQ CD

Karim Nagi is a one-man multi-cultural revolution. If you're a belly dancer and don’t know about him, you should… and if you are already familiar with his work, you’re probably a big fan! Hugely talented as a traditional Arabic drummer and folk dancer, he’s also an extremely creative and forward thinking composer and DJ.

A native Egyptian, Karim has spent so much time in America and Europe that even the smallest cultural nuances don’t elude him, which is just one of the reasons why Western dancers adore him. With his super-charged knowledge, cultural duality and open artistic persona, he has a unique understanding of global pop culture and Arab traditions that is endlessly appealing to members of all camps. Highly educated in musical theory and master of many instruments, his academic study and applied knowledge of Arab folkloric dances is just as impressive as his musical chops.

To list all of his credentials would be impossible, but he’s performed, taught and lectured at places like Harvard and The Smithsonian; he’s released several CDs and DVDs on Arab music and dance and he’s been the director of the highly popular Arab Dance Seminar for nearly a decade.

Karim also heads up the Sharq Ensemble, a pan-Arabic musical performance group he founded in 1999, and his Arabiqa program has educated children and teens in over three hundred schools. Oh, and he constantly tours internationally... usually for over three-quarters of every year. Suffice it to say that this man knows his shit.

Karim has an endlessly quirky sense of humor, which onstage especially, is as endearing as it is comical. Combined with the obvious joy that emanates from him as he performs, and his enthusiasm for sharing his knowledge of traditional and contemporary Arab music and dance with students, he’s truly hard to resist.

He also has a brand new CD out, which is why I’m raving about him!


(DUM + TAK) x TARAB = DANCE


RhythmatiQ is a musical project that probably wouldn’t have seen the light of day if Karim was “only” a musician… because it’s tailor made for dancers. Consisting of fifteen tracks which are all under four minutes long, the premise of RhythmatiQ is that everything on it is meant to be mixed and matched, enabling dancers to use the pieces individually or to combine them to formulate personalized performance or practice sets of different lengths. Each track on this CD will not only compliment the others, but would be just as cool when paired with tracks by other artists as well. The fact that Karim uses traditional rhythms and concepts but then filters them through his own outrĂ© -and dare I say hip - sensibilities means that RhythmatiQ as a whole is a multi-genre work that could be used for any type of belly dance, from cabaret to tribal, and would be also be great for troupes or different types of fusion belly dance, too.

Additionally, the inside cover features a chart with many Arabic rhythms annotated both by counts as well as a written verbalization of the Dums and Taks (that’s Arab musician -speak for the lower or higher drum pitches) plus each track highlights a certain Arabic rhythm, such as Fellahi, Hagalla, Ayoub, Masmoudi and so on, meaning that RhythmatiQ would also make a terrific teaching tool for dance instructors.

The CD opens with the Darabist Drum Solo, highlighting Karim’s signature tabla playing, which is always a rowdy crowd-pleaser, dynamic but done with finesse. Live or recorded, he always wrenches incredible tones from the tabla, from powerful slaps to quick finger work.

Some of the songs I really like a lot are the haunting Khaliji Rhythmatiq from the Arabian Gulf, the Sonbati Rythmatiq (which many dancers would probably identify as a quick chiftetelli) the high-energy Dabke Rhythmatiq. The quick Masri Rhyhtmatic with its rattly riq literally travels through Egypt referencing all sorts of rhythms. I’m also particularly fond of the gorgeous Andalusi Rhythmatiq, with its contra tiempo palmas, or hand clapping that counters the rhythm. Originating in the Muslim-ruled Iberian Peninsula (modern-day Spain and Portugal) between the 9th and 15th centuries, the traditional Moorish music Tarab Andalusi is popular throughout North Africa.

Ok, so now that I’ve gushed about most of this album, I might as well add that Karim played most of the percussion instruments and the buzuk, did the vocals and the re-mixes and also conceptualized and executed the cover artwork, too... Yep, he’s a regular Renaissance man.


Even though he’s already got a big ole body of work, he’s so creative, prolific and driven, that I have a feeling that it’s all just the tip of the iceberg!


You can purchase RhythmatiQ on Amazon: Rhythmatiq


Karim will be appearing in Knoxville, Tennessee this coming weekend, September 14-16, 2012, before going on to Tai Pei and Singapore for two weeks (October 1-19) followed up by Acapulco, Mexico on the weekend of October 26-28th and that’s just for starters.


Monday, July 16, 2012

ZILL-TASTIC: MAKING FRIENDS WITH YOUR FINGER CYMBALS



Finger cymbals might as well be the international symbol for belly dancing.

Cymbals and veils are usually what civilians imagine when they think of belly dance. Known as zills in Turkish, sagat in Egyptian Arabic and salahsi or zang in Farsi, many dancers assume cymbals are a prop, but they’re actually a musical instrument.

Cymbals make a variety of sounds, depending on how they’re played, ranging from bell-like ringing with an audible sustain to clicks, muffled claps, and quick-strike chunky tones. The pitch of the cymbal itself differs considerably, depending on the construction; the metal alloy (usually brass or bronze) the circumference or diameter of the cymbal, and the depth of the rounded dome that rises up from the cymbal’s rim. Finger cymbals are manufactured in a wide variety of sizes, weights and finishes, many with beautiful Pharonic or Arabesque designs stamped or cast on the metal.

There are four cymbals in a complete set, worn at or just above the first knuckle of the thumb and middle finger on each hand, attached with an elastic loop. Some cymbals have a hole to thread the elastic through, others have two slots. Often, dancers have a preference for the type with the slots; because they are easier to control- I much prefer this type myself. I used to think the cymbals with a single hole were just mediocre souvenirs, and that only a beginner would even think of using them. They kind of dangle off the fingers, instead of sitting firmly on the underside. Then I bought a gigantic set of cymbals in Cairo, the type that are used in Egyptian orchestras…and that set only had the single hole! Years later, Artemis Mourat set me straight, explaining that both types of cymbals were “legit”, and used traditionally.

Playing cymbals used to be practically mandatory for belly dancers (hence the public’s association) but in the early ‘90’s, when Egyptian style became popular in the west, performers hoping to appear “authentic” hung up their cymbals because Egyptian dancers rarely used them. What most didn’t realize was that the real reason Egyptian dancers didn’t play was because they didn’t have to! In Cairo, professional performers work with large orchestras that always include a master sagat player. I was guilty of this misconception myself, and in the midst of my early studies, blithely informed my first teacher Zahra Zuhair, that I wasn’t going to play cymbals because it wasn’t Egyptian. She looked disappointed, so I added,

You dance Egyptian style, and you don’t use cymbals!”

She regarded me for a moment, then arched a well -groomed eyebrow and said,

“Well, the difference between me and you is…I can play them if I want to!”

Point taken.

I began the lengthy and often frustrating process of learning cymbals, but in the end, I was so glad that I did! Finger cymbals aren’t required for belly dance, but if you can really rock (or shall we say “raq”?) On them, they add a lot to a performance. Cymbals played in flawless unison by a troupe is really powerful; a solo dancer accenting her music artfully or doing playful call and response with a live drummer is always really exciting for an audience! If you perform often using recorded music, playing cymbals adds that special live energy.


Here are some tips that will help you become a zill-tastic dancer:

Cymbal Selection And Preparation

To start off with, you should purchase a set of good quality cymbals that will be easy for you to handle. For beginners, it’s usually better to get a smaller, lighter set of cymbals until you build up your strength and co-ordination, though starting with lager cymbals is fine. No matter what the size of the cymbals, they’ll always seem awkward at first…when I first started, I felt like I had a dinner plate attached to each hand!

Look for a set with a nice tone; if you’re shopping in person, you’ll be able to test them out and see which ones you prefer. If you’ll be getting your cymbals online, there’s no way you’ll be able to test-drive them, so ask your instructor or dancers who’ve been playing for a while which type they recommend.

Listening to dancers playing sagat live will not only help you to absorb the patterns being played, but to figure out which tones you like as well- and it’s all a matter of personal taste. I prefer a mellow bell-like tone, and like my cymbals to ring, but when I asked master musician and dancer Karim Nagi about his preferences he said,

I would select something a little heavier that one could get good contrasting sounds from, anywhere from deep tones and to high crisp tones. Just like any instrument, chances are you would have to try a few out. Personally I would select something a little heavier- if a set of cymbals sound too bell-like, and I can’t get that chunky, tight sound that I like, I won’t use them.”


Preparing And Caring For Your Cymbals

Some cymbals come with a length of elastic, but if it isn’t supplied, you’ll have to buy it. Look for sturdy elastic braid about three quarters of an inch wide for the type with two slots. If you bought the single-hole cymbals, you’ll need a thin, rounded elastic cord. Next, you’ll need to sew the elastic on to fit your fingers. For the double-slot type, cut four lengths of elastic about three inches long and thread the elastic through the underside of the cymbals. Measure the elastic to fit your finger tightly, turn the raw edge of the elastic over to prevent fraying, and sew the pieces together. For single-hole cymbals you may want to thread the elastic cord through a bead or small button (which will sit on the underside of the cymbal) to add some extra stability. Some dancers mark the slightly larger-looped thumb cymbals by sewing a bead onto the top of elastic, and I sometimes decorate my elastics by gluing a small rhinestone to the top of each one. Yup, I like the glitz!

If your elastic breaks at a gig or in class, you can quickly repair it with a safety pin. Do not pin or knot your cymbals underneath- it ruins their sound by muffling the dome…imagine stuffing a pair of socks into a small bell and you’ll get the picture!

Finger cymbals should be worn very tightly- it’s a running joke among dancers that if you’re circulation isn’t getting cut off, they’re not tight enough! I also think the elastic on cymbals compares to the pointe shoes ballet dancers wear: they’re unbearable at first, then you get about a week of broken-in comfort, and after that it’s time to change them!

The cymbals should sit up near the top of your fingers and thumb- some dancers prefer the elastic to hit at the first knuckle, others like them just below the nail bed. When you put your cymbals on, they should worn with the underside facing each other and, as legendary dancer Helena Vlahos says,

“ They should look like a pair of flying saucers on each hand.”

Cymbals can be cleaned with a soft cloth and ordinary brass or metal polish. Some dancers prefer bright shiny cymbals, others like them to have a patina or a slight amount of tarnish, for a vintage look; this is only an aesthetic consideration and up to you, because they’ll sound the same either way.

Before You Start To Play

Experiment with some of the many tones and sounds cymbals your cymbals make. Here are some for you to try out:

Rings

The quick strike of two cymbals together, creating a lingering ring like a bell

Claps

A strike with fingers of the hand cupped over the index finger cymbal, producing a flatter sound without any ringing

Clicks

Strike only the edges of the finger cymbals together, with your fingers cupped or open to produce percussive little ticks and clicks

Double Rings

Put your hands together and strike all four cymbals together lightly against each other (almost fluttering the cymbals) with both hands open, to make a tinkling, sustained ringing sound


Practice Makes Perfect

Like any musical instrument, mastering your cymbals requires a lot of training. I myself think I bit through like...five layers of skin on my lower lip!

When you’re playing, you will always start on your dominant hand. If you’re right handed, start with the right hand, but southpaws will begin on the left hand.

Practice as much as you can so you can play your cymbals easily and switch rhythms without even thinking about it. Start off doing cymbal drills seated or standing, and then add in some basic movements. After you’ve become comfortable with that, start experimenting with more advanced technique. Eventually, you want to be able to perform quick shimmies, traveling steps, and multi-layered movements while playing. You should also be able to play cymbals with your hands and arms in any position they would be in if you were dancing without them, with palms up or down, arms outstretched, overhead, crossed or moving on paths through the air, and while doing wrist circles.

Getting to the point of playing really well (i.e. on the beat and not at the expense of your movement) will take dedication and regular practice. It can be frustrating, but it will be worth it in the end!

After you’ve mastered the basics and can dance with your cymbals on, there are many ways to play them: to the basic rhythm of the song, to the melody, or just as occasional accents. Los Angeles based Arabic percussionist Donavon Lerman says:

“ Think of your zills as a solo instrument. Just like every rhythm has a matching basic movement on the dancer’s body, every rhythm has a matching basic rhythm on the zills. They should almost never be used constantly. They ought to be mostly used to add flavor, for a solo, to accentuate the dancer’s moves, for playing back and forth between drummer and dancer.”

He continues,

“ I would kinda correlate it to a dancer practicing a shimmy… they have to do it everywhere; in line at the grocery store, while doing the dishes, while eating ice cream… but then they choose not use it too much in performance. When cymbals are used while you dance, they should be strong and in the right place.”

Karim Nagi offers this suggestion:

“Remember, zills are an instrument, and you’re adding the instrument to the song, so be selective about when to play. With live music, don’t play for the entire song. Choose when to play based on the song’s structure, and if there’s a singer, don’t play when he or she is singing the verses. Another choice is to play for the choruses only. If you play for the entire song, then you’ll be distracting from the band.”

Basic Cymbal Patterns

Here are some basic, commonly used patterns for practice. Again, because most people are right handed, these patterns all start on the right, so just reverse them if you’re a leftie.


GALLOPS OR THREES:

RLR RLR RLR RLR RLR RLR RLR

123 123 123 123 123 123 123


ALTERNATING THREES:

RLR LRL RLR LRL RLR LRL RLR LRL

123 123 123 123 123 123 123 123


THREES AND FIVES:

RLR RLRLR RLRLR RLR RLRLR RLRLR

123 12345 12345 123 12345 12345


THREES AND SEVENS:

RLR RLR RLRLRLR RLR RLR RLRLRLR

123 123 1234567 123 123 1234567


SEVENS

RLRLRLR RLRLRLR RLRLRLR RLRLRLR

1234567 1234567 1234567 1234567


Zill-Tastic Resources:

Instructional DVD from Artemis Mourat:

Zill Speak - How to Play Finger Cymbals from A(lmee) to Z(ills)


Turquoise International Finger Cymbals :

http://tinyurl.com/73flpdd


Saroyan Mastercrafts Finger Cymbals :

http://dwp.bigplanet.com/saroyan/onlinestore/