TAKE IT OFF! A GUIDE TO REMOVING STAGE MAKEUP FROM YOUR FACE, BODY AND COSTUMES

 

 Tons and tons of stage makeup...and it's gotta come off somehow! photo: Maharet Hughes

Ah, stage makeup: where would we dancers be without it?

 By using careful camouflage and strategically placed contouring, we can make our features look larger, smaller or way more dramatic. We become wide-eyed, pillow-lipped seductresses with chiseled cheekbones and jaw-lines. We morph into Pirate Wenches, Dying Swans, Roaring Twenties Flappers and mid-century Pin Up Girls.  With the addition of metallic powders, glitter and crystals, we turn into Fairy Queens and Every Goddess From Every Pantheon Ever.

Stage makeup looks gorgeous when you’re under the lights… and totally damn scary when you’re on your way to or from a gig, making a pit stop at a convenience store or fast food joint!  And once you’re home, taking it off seems like such an incredible chore.

Seriously, there’s almost nothing worse than waking up with some of last night’s Stage Face still on, is there? The pearly, highly pigmented turquoise eye shadow has turned into bright blue eye-boogers and you’ve got adhesive marks on your cheeks where brilliant rhinestones once twinkled. The fire engine red glitter you applied so carefully to your crimson lips migrated while you were in The Land Of Nod… and now the lower half of your face looks like it’s broken out in a case of sparkly smallpox.

Applying stage makeup is fun and gratifying, but sadly, most of us don’t know the best ways to get it off. Learning to take it off properly isn’t nearly as much fun…but your skin (and sometimes, your costumes and/or street clothes) will thank you for it!

Here’s a quick ‘n’dirty guide to cleaning up and taking off anything related to stage makeup:

Adhesives:  Almost any type of adhesive can usually be removed from the skin without scrubbing if you use oil.  Most oils will dissolve the adhesives (or tape marks from fashion or toupee tape) very gently from the face or body, including coconut, olive, jojoba, or almond oil.  Saturate a cotton ball or pad with the oil, apply to your skin and let it sit for 30-45 seconds, and the adhesive usually comes off with one sweep.   Use a second saturated pad if you don’t get all of it removed with the first swipe.

 For larger area of skin-on the body, not the face- baby oil works super well, too.  It’s best to avoid using on the face, because it can make the delicate skin there prone to break outs…and that, nobody needs!

 If the adhesive you were using were Spirit Gum (Mineral Spirits) regular oil might not cut it, so it’d be a prudent idea to invest in some adhesive remover from a beauty supply or theatrical store.

Fake Blood: Though it looks gory on stage, fake blood is usually easy to get off skin.  Just give it a few swipes with a make up wipe or even a baby wipe. If this doesn’t work, a few squirts of shaving cream usually lift the discoloration immediately.  Just be careful if you’re using menthol shaving cream around your eyes!

False Eyelash Glue Buildup: All the gunk from the lash glue builds up on your faux lashes, and it not only makes them difficult to apply, it’s a germ magnet, too! Cleaning off your falsies is pretty easy, though. Hold the last in one hand, from the edge, and pick the excess, dried up gunk off the band of the lash with a tweezers. It often comes off in a strip! If it only lifts off part way, just repeat the process til the lash band is clean and visible. Dip a Q-tip into alcohol, and swipe it across the band a couple of times to sterilize it…but make sure you let the lash dry for a minute or so before applying it to your eye!

Glitter: The best way to remove glitter that has migrated is to use tape. This is especially great if you’re doing a couple of numbers in a show, and need to do a quick clean up, cause using lotion or a makeup wipe usually just spreads the glitter around- I always keep a roll of tape in my gig bag!

Any kind of tape works, from plain old Scotch tape to packing tape…. I’ve even used duck tape, though it gives new meaning to the term exfoliation! All you do is roll a piece of tape into a loop, and press it gently against the area you want to clean. The glitter comes right up off your skin.  This trick even works for areas where the sparkles are concentrated, like glitter lips, though you’ll have to go over the area a few times.

Hair Dye Stains On The Skin: This is gonna sound gross, but it works like a charm! Mix up a paste of cigarette ashes and water, the thicker the better. Apply to the hairline, (wherever the dye dripped) with a Q-tip, rub it in and leave it on a minute or two. Rinse it off by wiping with a warm, soapy paper towel or washcloth, finish by splashing water on the area. Remember, in the olden days, they made soap with tallow and ashes- they’re a potent stain remover. If you don’t smoke or the ashes are yucky to you, do the shaving cream trick mentioned above. You can also try using rubbing alcohol, but it’s very drying to the skin, and there’ll be scrubbing involved, so be sure to moisturize right after.

 Makeup Stains On Fabric:  Try as we might, even if we’re very careful, our stage make up sometimes transfers to our costumes or accessories. If you get foundation or lipstick on a “fancy” fabric, like brocade, raw silk, velvet or satin, you’re best bet is to take it to a dry cleaner- believe me, they deal with these types of stains all the time! However, if your make up rubs off on anything washable- such as a lycra blend, a cotton or cotton poly blend, or synthetic chiffon ( hellooo? Skirts, veils and scarves) you can get it out yourself. I’ve even lifted foundation and lipstick stains from 100% silk veils and skirts- but you must be sure to do a spot-test first, to make sure the fabric dye itself is stable.

 All you need to remove make up is any or all of the following:  Dawn Dishwashing Liquid, or baby shampoo, rubbing alcohol, and a commercial stain remover. My favorite is Shout Advanced Action Gel, but seriously, almost all of them work. 

After you’ve done your test on an inside seam or the tiniest corner of a hem and discerned that the material you’re cleaning won’t lose it’s color, get started.

 Treat the stain by spraying the   Shout or whatever product you’re using directly onto it. Apply a generous amount, and let it sit anywhere from the recommended five minutes to fifteen or twenty.  Usually, even with the product still wet on the fabric, if the stain looks like it isn’t there, then the stain remover has done its job. If you can still see a bit of the stain, apply a little more of the stain remover.  Or, you can pour a few capfuls of the rubbing alcohol directly on to the area. Either way works.  Next, fill up the sink or your tub with lukewarm water- and err on the cooler side, because hot water actually sets stains!  Add a few squirts of Dawn or the baby shampoo while the water is running. Place the garment in the water and swish it around gently for a couple of minutes. Drain the water, lightly squeeze the excess soapy water of the garment you’re washing, and refill the basin or tub again. Repeat this step a couple of more times til all the soap and cleaning products are gone, and gently squeeze the clean water from your costume. Hang to dry or lay it flat- your choice, but do not let it dry in direct sunlight- it’s the heat thing again. If any of the stain is still visible after your costume dries, repeat the process again, and the second time should eradicate all of the stain.

Liquid Latex: Sounds crazy, but most liquid latex comes off the skin easily and with hardly any scrubbing by using plain old soap and water. If you get a few patches where the latex went on heavily, dab with a bit of oil, then wash with soap and water once more.

 One last word to the wise: I always have a small Backstage Emergency Kit in my gig bag that has a needle and thread, safety pins, bobby pins and much of the afore -mentioned materials: a roll of scotch tape (or even a lint roller) a travel sized pack of make up wipes and/or baby wipes, a box of Q-tips, a stain stick and a tiny spray bottle/mister with rubbing alcohol.

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 If ya want to learn how to get stage makeup ON before you take it off, purchase my “Bombshell: Dramatic MakeUp For The Stage, Photos & Glamorous Occasions” here:

http://www.princessfarhana.com/shop.htm

 

Bombshell: Dramatic Makeup DVD with Princess Farhana and DeVilla  photo: Dusti Cunningham

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CAMOUFLAGE 101: HOW TO HIDE TAN LINES AND LOOK GREAT IN YOUR COSTUMES

 You put on your favorite costume, the one that always makes you  look and feel amazing, but like a slap in the face, you suddenly realize you can’t possibly wear it. It’s not because the hooks need to be replaced or you’ve gained or lost a few pounds, and certainly not cause you dribbled some form of condiment while scarfing down a post-gig meal backstage.

 It’s because your summer wardrobe doesn’t match your dance costumes!

Maybe you wore a halter-top this past weekend and your SPF wore off. Your chest and midriff are now evenly tanned… but the tops of your boobs look like two giant glow-in-the-dark white Hostess Cakes. Or perhaps you  got a sunburn while wearing that Kendall & Kylie “celeb style caged harness” swimsuit from Top Shop…and now there’s such an insane network of pink lines on your torso, it looks like you’ve contracted a hideous tropical skin condition!

 If you’re not religious about using sunblock -and you damn well should be- you’ll wind up with a tan or a painful burn. But even if you’re careful about using sunblock, you can still get those pesky tan-lines. And believe me, they look like absolute  %@$# on stage!

 I am  super-anal about wearing sunblock, but because of my mixed heritage and olive skin, I tan in a heartbeat, no matter what. Seriously, I can take out the trash in the early morning, and by the time I get out of the shower fifteen minutes later; I’ve got stripes across the tops of my shoulders from my tank top.

 Hey, it’s summer; we’ve all been there.

 But let’s get you back into your favorite costume, shall we?

To get rid of tan-lines quickly, first thing you need to do is exfoliate, cause it gets rid of all the dead cells on the surface of your skin. Exfoliating will literally buff away a bit of your tan, and it’ll keep your skin looking fresh and dewy, too.

 Please note that this works only for those who are tanned, not burned. If you’ve got a sunburn, it’s an absolute must to let it heal to the point where it’s not painful or tender, because you don’t want any scarring to occur. Instead, slather the burned area with Aloe Vera gel. Straight from the plant is best, but there are also plenty of gentle commercial formulas on the market, too. Take an aspirin or two, stay out of the sun and let your skin heal for a few days before exfoliating.  A nice all-natural spray to relieve sunburn pain is black tea.  Brew up a strong pot of black tea, let it cool in the fridge and transfer it into a spray bottle. Spritz the cool mixture on your skin after you bathe or whenever you want. The misted tea is refreshing and calming to the sensitive sunburned areas. But black tea also contains a high amount of tannic acid, which will help fade the marks on your body quickly.

 But back to exfoliation: I recommend Oil Of Olay Exfoliating Body Wash or St. Ives Purifying Sea Salt Body Wash.  Both are terrific, inexpensive options, plus they’re under ten bucks at most chain drug stores like Target, CVS, Rite Aid or Walgreens. If you wanna splurge a bit more, try Guyton Exfoliating Body Wash. It’s available on from www.glytone-usa.com or from Amazon; some department or beauty supply stores carry it, too. The glycolic acid isn’t a chemical peel, it’s easy on your skin, but helps your cells to shed and your skin to rejuvenate faster.

To make an ultra-cheap (but very efficient) D.I.Y exfoliating scrub, get a large glass bowl and add in these ingredients: a tablespoon of sugar with one cup of baking soda and half a cup of water. Mix it well, until it becomes a thick paste. Bring it into the shower with you, and with bath mitts or your bare hands, glob it onto your skin, scrubbing in long strokes or small swirls  (your choice, just as long as your hitting the affected area) like your damn life depended on it.

 Once you’ve exfoliated, now it’s time to camouflage those hellish tan lines.  If you’re skin is medium, olive-toned or dark, get a matte bronzer in a shade that’s a close match your actual skin tone; a shade or two darker is fine. If you’re fair, a rosy pink ought to work well. Just make sure you don’t use pearly or metallic shades- it won’t look natural and will only draw attention to your “disguise”. You can use cream or powder, whichever you prefer, both are fine. With a small soft dome blush brush – or even a cotton ball- dab the product onto the lighter area, but then blend it out onto the tanned area as well. If you apply the makeup only on the un-tanned skin,  instead of hiding the tanning marks, it’ll  make them look way too obvious.

 After you’ve applied the product, make sure to set it so it won’t rub off on your fancy costume. There are several makeup-setting sprays available. One of my go-to fixers is Ben Nye Liquiset, which is a theatrical makeup sealer in a spray pump.  It’s pretty inexpensive and really keeps any pigments in place, even when sweaty from performance.  However, aside from Amazon, it’s usually only available at costume/theatrical stores and some beauty supply places. There are drugstore brands that work just as well, such as L’Oreal Infallible Fixing Mist or Urban Decay Chill Cooling And Hydrating Makeup Setting Spray.  All of these products are made to be worn on the face, but they work just fine for tan marks on the body, too. None of them crack or smudge, and they come off with whatever sort of makeup remover you use also.

 My very favorite camouflaging product, which I use with or without tan lines, is Sally Hanson’s Airbrush Legs. It used to come only in a spray, but now, they’ve added a cream formula as well. This stuff is pure magic- it makes you look like the best filters on Instagram! It stays much better than any self-tanner, never looks streaky, doesn’t cake, and really lasts on stage, even through multiple performances. It gives your skin a gorgeous look, truly like you’ve been airbrushed. I’ve used it to hid bug bites, bruises, and scratches from my kitties, and even to completely hide my tattoos! Let it fully dry before you put on your costume, though. After it sets, it won’t rub off on anything. The only other thing you need to know is that if you’re using the spray, it would behoove you to use it in the shower, cause it could stain clothing (or a carpet) and it’s kind of smelly to use in a dressing room. However, the smell goes away as soon as the product dries. Also, sometimes it stays on the skin for an extra day or two, even after bathing… but who doesn’t want to look airbrushed, right?

These tips will allow you to have fun in the sun, but still look great onstage- tries them out and sees for yourself.

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photo: Dusti Cunningham, graphics: Natasha Vetlugin

  For more cosmetic  tips, purchase  my  double-disc instructional stage makeup DVD  “Bombshell” or a copy of "The Belly Dance Handbook  here:  http://www.princessfarhana.com/shop.htm

photo and graphics: Maharet Hughes/Graphic Vibe

CONTOURING FOR STAGE MAKEUP

Believe me- that jawline, cheekbones ( and my cleavage) were NOT given to me by Mother Nature...just sayin'!
 Photo by Maryann Bates

Contouring has always been around, but suddenly it seems to be all the rage. The shading and highlighting techniques that were once the sole realm of  high fashion  photo shoots- or drag queens- have practically gone viral- suddenly; everyone is chiseling, shaping and molding their features as part of their every day makeup application. All the major cosmetic lines have introduced contouring kits, and every inexpensive drug store or knock-off brand has followed suit.

With the right colors and  a little practice, we all can have higher cheekbones, a defined jawline and a longer- or shorter, or narrower nose.

But contouring for the stage is a very different animal than just adding a little boost to the face that your gene pool gave you.

 To begin with, you must understand - and most of you already do- that strong, bright stage lighting will erase every one of your features. Seriously, if you’re thinking of wearing daytime (or even party-time/clubbing make up) on stage, your face will appear blank and washed out in performance.

 You need to pile on everything from lashes to lip color…and even then, it might not be enough! Trust me: when done properly, stage makeup contouring will look downright horrifying up close, but under the hot lights, you’ll look like a perfect Grecian statue.

Though it’s always fun to get new make up, you really don’t need any special contouring kits for this. Often, you can find the perfect shades among the cosmetics you already own!  Go ahead and splurge on Mac, Anastasia Of Beverly Hills  or Kat Von D if you want to, but it’s totally not necessary to get the look you’re after. It really doesn’t matter at all if you’re using an eye shadow to sculpt your cheeks- it’s only the color that counts!  

However, I will say that while cream formulas work fine for every day contouring,  for  the stage you’ll probably want to use powders or pressed pigments - they stay better, last longer, and are much easier to work with when building your performance look.

 First, you’ll highlight areas you want to bring forward, like the planes of your cheekbones, the tip of your nose, the jawline, and the inside corners of your eyes. For day-to-day make up, depending on your skin color, you’d be using a matte ivory or maybe a very light rose gold, or  bronze color for darker skins.

 Onstage, you can use matte shades to highlight, but frosty shades look much better, because they attract and refract light. What might look over-the-top and…yeah, kind of…crazy... in real life will be just right for a large stage!  Depending on your skin tone- and the effect you want to project in performance- you can use any color for your highlights, from bright pearly white to lavender, light pink (or even baby blue) to metallics like bronze, silver or gold. With a fluffy brush, get a load of pigment on your brush, and tap or blow off the excess. Then go to work on any features you’d like to bring forward.

I used a light blue highlight on my temples and  cheekbones 

 Swirl the frosty highlight color on the tops of your cheekbones, working it all the way into your temples. Dust a faint line down the center of your nose, and lightly around your jawline- not underneath it, but right along the jawbone itself. Blend all of these areas a little but not too much-remember, you’re doing this for the stage, not every day life! Onstage, we want our features to pop, in order for them to look “natural”.

 With a fine-tipped brush, use the same frosty shade to draw a thin pearly area just under your eyebrow and the brow bone itself.  Dab in some “eyelights” at the inside corner of each eye. This will give a gorgeous, wide-eyed affect, really opening up your eyes-no matter what size they are. To do this, use a Q-tip, placing it just above your tear-ducts and slightly into the side of your nose. Just load the cotton swab with pigment, blow or tap off the excess, and place a precise dot of highlighter at the inside corner.  This doesn’t even need to be blended. It will look quite odd up-close but the illusion onstage will look fantastic.  If you want to exaggerate the wide-set, doe-eye look, bring the color up the inside of the eye to the eyebrow, blending it into your eye shadow.

For all the areas you want to recede, you will use a matte color.  Do not use pearly or frosty cosmetics for shading, because they attract light, and you’ll be using your contouring colors on the specific areas you want to appear to be shadowed. Once again, there’s a wide range of colors that can be used for shading, depending on skin tone.  Pick out colors that are about two  shades darker than your own complexion.  Darker skinned gals can use anything from a matte medium brown to chocolate brown; olive-skinned dancers should use a taupe or dark beige, and a slightly rosy brown or even a brick tone will work well for those with fair skin.

  Use the same size brush (or a slightly smaller one) than the one you used for highlighting to dust on a darker contouring shade to the places you want to recede. The shadowed areas will usually be just under the places you’ve highlighted, such as underneath the natural cheekbones, and under the jawline, from ear to ear. When working on the jawline, make sure to dust the contour shade all the way from the center of the neck to past your earlobes, and all the way to the bottom part of the tip of your chin.   To make a wide nose appear narrower, apply a thin line of the shading tone up each side of the bridge, blended well. To make a long nose appear shorter, dust some of the contour shade under the tip of your nose, again blended thoroughly.   With a clean dome brush, make sure you buff out and blend the shadowy parts- because you want to look like a chiseled goddess, not a trashy 1980’s Mall Rat!

 If you want to make your lips look fuller, you can contour  them, too. This time, you’ll be using your lipstick and lip pencils. To give the illusion of a pouty lip, use a darker lipstick on the top lip, and fill in the lower lip with  a color in the same family, but one or two shades lighter.  If you want your lips to look lush and bee-stung,  start out by lining them with a flesh tone or white  pencil.  This will bring out your natural lip-line and make it look more pronounced and prominent. Next, use  just one  shade for the top and bottom lips- a true red with blue undertones works best  and has the added bonus of  making your teeth look whiter, too. After you’ve applied the color, blot it, apply a second coat, and  take a finger full of frosty white, light pink or gold powder and smudge it into the  center of the lower lip. Bingo- better than having “work” done and your lipstick will stay put through your performance without smudging!

These same face contouring techniques can be used to highlight your body, especially when wearing costumes that show a lot of skin, to accentuate your muscles and curves. It’s a pretty simple process: whatever body part is lighter will stand out, and those that are darker will recede.

With a full, fluffy brush, apply a thin-ish stripe of pearly white, pinkish bronze or golden highlighting powder down the center of the arms and legs to make them look longer. While you’re at it, dust some of the same powder around the curves of your shoulders, and lightly across the tops of the breasts to make them appear fuller and more prominent. Drawing a soft, smudged line in the center of your cleavage will accentuate it and make it seem deeper. Make sure the actual line isn’t visible- blend it very well- you can even dust on a coat of translucent powder over the highlighter and contour colors instead of blending it. Since your arms, legs and torso are much larger areas than your face, you don’t need to be quite as careful with the blending.

 Play around and experiment with these applications, and with the colors you use, then snap a selfie or two to see what looks best on you.  With a little practice, you’ll get these looks down to a science!

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 For even more make up tips, purchase my instructional  how-to stage make up DVD  “Bombshell: Dramatic Looks For The Stage, Photos and Glamorous Occasions or  “The Belly Dance Handbook here: http://www.princessfarhana.com/shop.htm

 Bombshell: Dramatic Makeup For The Stage, Photos And Glamorous Ocsaisions,  instructional stage makeup DVD
Photo by Dusti Cunningham

 August 1, 2016 I'm teaching a 1970's retro stage makeup look as part of  the "LA Legends Of Belly Dance" intensive. Info here:
www.dancegardenla.com

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