Showing posts with label performers. Show all posts
Showing posts with label performers. Show all posts

Sunday, April 30, 2017

IF ONLY THEY KNEW: A BELLY DANCER'S INTERNAL DIALOG DURING A SHOW

 On-duty  at my regular restaurant gig


 Restaurant gigs  are one of the primary jobs for many belly dancers. They can be very  lucrative, and they’re usually  lots of fun because the dancer gets to interact with the customers  up close and personal.

However, while we sometimes are completely in the moment and being transported by the music, there’s also a litany of “dancer problems” that go hand-in-hand with these  intimate shows, which are often done in very small spaces, with no stage, dancing among the tables.

I’ve been dancing at restaurants for  twenty-seven years…and that pretty much  qualifies me as having seen (and heard) it all… or at least  pretty close to it!

 While the general public is getting a beautiful floor show, the scenario in the performer’s mind- masked by a dazzling stage smile- is often quite different  than what the audience is experiencing.

 Here are some of the thoughts running through my head  at various times during restaurant sets.

 Can you relate?


1. Please don’t even entertain the notion of tipping me with your greasy hummus fingers!

2. Humiliating the birthday boy or girl is not in my job description.

3. Holy crap, this song’s almost over- how the hell did that happen?

4.Yeah, uptight-lady-hanging-on-tightly- to-your man, it’s sad but true:  the only  real reason I’m dancing here is because I want to seduce your  fat, balding husband… who by the way, has zero table manners.

 5.Please God, don’t let me get my period.

6.Why does  this veil feel so heavy tonight? It’s just a piece of silk!

 7. If that waiter crosses in front of me one more time to refill water glasses, I’m gonna  cut a bitch!

8. Sorry dude,  but your business card doesn’t count as a tip. 

 9. Surprise! I speak English- and even though you seem to be  an authority on this  insane theory you’re espousing  so loudly, I didn’t get any ribs removed to be able to  dance this way.

10. Not taking my top off. It just ain’t gonna happen.

11. I saw a zero on that bill- please let it be a fifty-oh please, oh please, oh please.

 12. I hope the audience can’t tell that my foot is bleeding like a stuck pig from that glass I just stepped on.

 13. While I appreciate your concern, would you please quit yelling about-and pointing to-the dollar that fell on the floor?
This isn’t an isolated incident… it’s happened….oh, a couple of times before.

14. Can you keep your  toddlers under control?

 15. Can you keep your pubescent son and his testosterone-infused teenage pals under control?

16. Can you keep your absolutely  shit-faced  party guests under control?

I7. I you try to offer me a tip that’s held in your teeth, I will pat you on the head like a dog. I might even go “woof woof” to see if you respond in kind.

 18. I got you up to dance cause it seemed like it would be fun…for a minute or so! Do you think you could possibly manage to sit down before my shift is over?
No? Well then how about before I retire from my dance career?

19. Please God, don’t let me sneeze into these nice people’s dinner.

 20. You aren’t “offending" me by offering a tip. If you knew how much this costume cost you’d probably puke up your baba ganoush  right on the table!

21. Contrary to popular belief, a one dollar bill from a party of fifteen-plus diners is not a  great tip. Save it for the valet- he’ll be only slightly less horrified than I am.

 22. Oh no… I think my right eyelash is about to fall off!

 23. Where in the actual fuck did you get the idea that “most belly dancers are fat and have mustaches”?

 24. Do. Not. Try. To. Poke. My. Belly. Button. 

25. I hope  still  I  have some Chardonnay left  at home…


 #


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Saturday, July 6, 2013

SHE'S LIKE A RAINBOW: WHAT YOUR COSTUME COLORS REVEAL ABOUT YOU



She comes in colors everywhere
She combs her hair
She's like a rainbow…


 Color is a powerful force that influences us not only visually, but also mentally, emotionally, and even physically. It’s no secret that certain colors have an almost universal effect on human beings.  Even if you think you don’t know a lot about the psychology of color, your subconscious does know.

Notice that many nations in the world use red prominently on their flags. This is because red is considered a color of power - it looks important- consider the effect of a stop sign.  Put a woman in a red suit, and she’s “dressed for success”, but put the same woman in a red dress, and the subliminal   messages of influence and control becomes overtly sexual!

Blue has a calming effect, which is why it is often used for medical and governmental signage and logos. Yellow is vibrant and visible, which is probably why it became  “the” color for taxis. It’s also used quite often in children’s toys. Orange and yellow are often use restaurant décor and fast food chains because these colors used together are known to stimulate the appetite.

Traditionally, brides wear white because it symbolizes purity, but during the middle Ages, brides often wore green because that color was associated with fertility.  And most of us realize that black frequently connotes mourning.

  I’ve always been fascinated by color because I’ve painted and drawn since I was a child- but also because my entire life, I’ve had synesthesia.

  Wikpedia describes synesthesia like this:

“Synesthesia from the ancient Greek σύν (syn), "together," and ασθησις (aisthēsis), "sensation," is a neurological condition in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway.[1][2][3][4] People who report such experiences are known as synesthetes… In one common form of synesthesia, known as grapheme → color synesthesia or color-graphemic synesthesia, letters or numbers are perceived as inherently colored.”

Yes… my whole life has been “colored” by synesthesia.   Case in point:  for me, the number five always had to be red, three was blue, and   the letter “R” had to be yellow.  If I ever saw one of those old-school magnetic alphabet and numbers sets for kids and the colors were “wrong”, I would get upset.  And usually, when my mother spoke to me, I always saw a mental image of blue-gray smoke rising from a white cup of coffee.  Ok, yeah, I know this sounds a little far out, but it was normal to me!

However, it wasn’t until I started dancing that I began to really considering the effects of color- not just on myself but on my audience.

 Pre-dancing, I wore primarily black or blue, and it was always a toss-up as to which of those colors I would pick as my favorite.  As a rock and roll chick, those colors were easy to wear- think denim and leather.  Red probably came in a close third, but more as an accent color rather than something I would think of wearing head-to-toe.  There were also certain colors I would avoid completely- such as brown, green, orange, yellow, gray or pink… but I wear all of them now often, both onstage and offstage.

Photo By Lapis
 Curiously, people always seem to associate me –or more often, my "royal" dance persona-with the color pink. True, the background of this blog is pink and   the main page of my website has a hot pink background- but both of those graphics happened after I was already being associated with that color.  I also have a lot of pink things- clothing and accessories.  But I wasn’t sure why I was being connected with that color in particular; especially cause through the ages, purple has typically represented  royalty- hello… Prince, anyone?  In my entire dance career, I’ve owned maybe three pink costumes-one of them is pictured here- and it made me really ponder about why my image or persona was so heavily connected with pink.

 Then it hit me- it was because of the “Princess” part of Princess Farhana!   Pink is a color that is linked with femininity. When faced with the color pink, most people think of  romance, glamour, little girls, breast cancer awareness and of course, fairy princesses. Then I realized that most of the pink things I own- cell phone cases, coffee mugs, hip scarves, jewelry, t-shirts, pot holders, flasks, iPad covers…you name it…have all been given to me! 

When people hear the word “princess” they associate it with the color pink.

So…what do your costume colors say about you?  Do they go with the intention you had in mind for your performance? Are you picking out these specific colors because they make you feel good, or because of what you want to convey to your audience?

 Here’s a list of just some colors in alphabetical order- and what they subliminally represent to the general public. I’ve also included what their unique properties-or hazards- may be on stage, or when worn by performers with different types of coloring:

AQUA
 This soft, fresh-looking  mixture of blues and greens has most of the properties of true blue- it sends out calming and serene vibrations. Onstage, aqua costumes  might remind the audience of youth, springtime, or even mermaids, among many other things.  Aqua is a terrific color in performance because it flatters so many skin tones, from very fair to extremely dark. On a large stage with full lighting this color may appear white unless the lighting looks natural.

BLACK
 In real life, black is an imposing color that signifies authority. As we all know, black is often worn for funerals, but it also implies elegance and timelessness. Onstage it can represent a variety of things, from poverty to evil…which is why this color is so popular among Goths! Black absorbs light and can wash out a fair-skinned performer; it usually takes someone with very strong features and high coloring to carry it off.

 If the background of the performance area is black, a black costume can cause the performer’s skin (which is always lighter than the costume, no matter what your race is!) to produce an unpleasant optical illusion. The black costume pieces will appear to recede and the performer’s lighter skin will appear to jump forward, causing the performer to look oddly heavy. This effect is doubled if the performer has dark hair, which will also recede into the background. In order to avoid this, make sure your black costume ( and dark hair, if that's what you have) are decorated with a contrast color or colors, or are very sparkly. Either of these will add texture and dimension to the black, and cancel out the effects listed above.

BLUE
 The color blue actually causes the body to produce chemicals that promote a feeling of serenity and tranquility, that’s why it is so often used to paint bedrooms and hospital rooms.  The phrase “true blue” is right on because blue also symbolizes loyalty. Blue is also supposed to increase productivity.

Onstage, a nice, bright medium-to-royal blue colored costume will retain its color accurately under almost any sort of lighting...and also looks very nice on a wide range of skin and hair colors.

BROWN
 Abundant in nature, brown symbolizes the earth as well as sincerity and dependability.  It is considered a “friendly” color. Brown costuming onstage can appear muddy and sallow, especially if it has yellow or gray undertones, however, a rich warm brown with a red or orange undertone can look beautiful.

GOLD
 Of course gold symbolizes richness, wealth, and a touch of the precious or exotic.  This beautiful warm metallic will look terrific in performance, retain it’s true tone under any manner-or lack-of lighting, and is universally flattering.

GRAY
Photo by Celeste Hines
  The color of ashes, storm clouds and lead, gray can be a somber tone, signifying dignity modesty and intelligence. The equal mixture of black and white, some people consider gray dull and colorless, but gray is also an elegant hue that is often worn by the elite- think military uniforms, fencing suits and tuxedos at the Kentucky Derby. Depending on the shade of gray being worn by a performer, it can signify many things.  This color can have many undertones, even appearing to be a light purple on stage, depending on the scenery, back drop or lighting.  A dove gray costume trimmed in silver can be gorgeous on a pale brunette, or cool and removed on a blonde. It doesn’t look too great on redheads, and it can make deep olive to African American skin tones look ashy and sickly.

GREEN
 Green is another calming color, probably because it symbolizes nature; it’s the color of plants, grass and trees.  For these reasons, green, like blue, has a calming effect and is often used in interior decoration. Green symbolizes luck, youth, hope, peace and prosperity…ever wonder why dressing rooms are often called “green rooms”?  Now you know!  It also has the subliminal projection of money…  and whenever I have worn a green belly dance costume, I’ve gotten a lot of tips!    This color in it’s many shades looks lush on redheads, whether for street wear or the stage.  if you have olive skin or  are very tanned, you can rock a neon lime green costume like nobody's business! When performing in  shades of green, avoid green or yellow stage  lights, as they will both wash out the true tones.


LAVENDER
A romantic and calming color, lavender is a mixture of soft blues, reds and whites. Depending on whether it has more blue or red, undertones, lavender can look very cool or extremely warm. Onstage, lavender lighting when mixed with pink and amber looks soft and yummy.  This color is considered feminine and inviting without being seductive. Lavender in it’s many varieties looks very beautiful on a huge range of performers.

ORANGE
Stimulating and energizing, red is a warm color that appears “friendly”. This color can be hard to pull off for pale dancers because it is so intense and can overpower dancers. If you are very light-skinned, try a subtle peach tone instead of a true, citrus orange.  However, orange, coral or metallic copper look fabulous on those with darker skin and hair, providing a warm glow that looks healthy and glamorous.

PINK
 As I said before, pink is associated with femininity and youth… but it doesn’t have to be a frou-frou color!  Pink comes in so many shades from pale ballet slipper pink to hot magenta, there is literally a tone for everyone  it can look great no matter what your hair or skin tone is. It’s a vital, fresh color that looks happy and fun onstage.  If hot, bright lights illuminate your light pink costume, it may fade to appear white. Whether wearing extremely pale or stronger tones of pink, make sure your stage make up is sufficient   so that you don’t appear washed out or over-powered.


PURPLE
  Equal mixtures of red and blue, this secondary color is considered dreamy, elusive, mysterious, and rich.  Signifying royalty, purple is the deeper cousin to lavender, and also can look great on a variety of dancers, depending on its undertones. Elizabeth Taylor favored purple clothing and costumes in many shades because it brought out her lavender eyes.  A nice deep purple costume, especially of satin, velvet or metallic lycra has the same properties as blue in performance- it looks wonderful on almost anyone, under many different lighting washes.

RED
 You already know that red stands for power and authority, but this strong and passionate color- the color of blood and fire- also signifies speed and prestige…which is why  fire engines are red and also why so many men buy red sports cars in the midst of their mid-life crisis!  A true bright red can be hard to pull off for blonde performers, but looks dazzling on brunettes and those with darker skin.  Red with blue undertones will make everything from teeth to skin look whiter, so compensate for this by using strong make up with a lot of blush. Red with yellow undertones can make olive skinned performers appear sallow. 

SILVER
 Silver is a rich metallic color that has many of the properties of gray, but with a touch of playfulness. Just like gold it symbolizes richness, but is often associated with a sleek modern feel.  Onstage, silver appears much cooler than gold.  Silver costumes will flatter paler skin tones, but might make those with olive to dark skin look ashy unless the make up is intense and warm.
Photo by Pixie Vision

TEAL AND TURQUOISE
 These cousins of blue are considered jewel tones, and share many of the properties of aqua. True, deep turquoise, even though it’s technically a cool tone, is a  also a hot tropical color that will look fantastic on anyone with a tan, real or fake-bake. Slightly deeper and with green undertones, teal will be a little more difficult for lighter-skinned performers to pull off but looks fabulous on brunettes and red heads.

YELLOW
 Cheerful, exciting and hopeful, yellow is the color of daffodils and many other flowers. The color practically screams, “notice me”, which is why it is used so often on taxis and emergency vehicles. Because it keeps the viewer on alert, it is also a popular color for writing paper. Yellow comes in so many shades that you’d be hard-pressed not to find a shade to flatter your skin tone.   Yellow can sometimes be overwhelming to wear, but those with darker skins will look great in  “hot” yellows that have a little red or orange in their base- like the meat of a mango. Pale lemon yellow looks great on fair skin, and compliments many shades of hair or eyes. Make sure to check your yellow costume out under stage lights and adjust your make up and contrasting accessories so that you do not appear sallow or sickly.

WHITE
 White is the color of brides and the good guy hero. It signifies purity and innocence, and reminds the viewer of summer time. Clean, modern-looking and efficient white can also connote cleanliness and sterility- think lab coats and nurse’s uniforms. In performance   and in day to day wear, this radiant color reflects light, and can look pretty and crisp on almost anyone.   Remember that a white costume will take on the colors of your stage lighting, so plan accordingly.





** Read the entire Wikipedia article on synesthesia here:
http://en.wikipedia.org/wiki/Synesthesia

Monday, March 5, 2012

PLEASE WELCOME TO THE STAGE...



We all hope for great introduction before we hit the stage, right?

Well, in order for this to happen, the dancer has to supply one- but that also means the dancer has to write up an intro to give to the emcee. Strangely enough, many dancers dread undertaking this simple task. Whether it happens to be the last thing they think of when preparing for a gig, or that the performer is unable to toot their own horn, many dancers don’t even think of including an introduction along with their music, no matter how many shows they do… And then when the emcee mispronounces their stage name, omits facts, or gives an intro completely unrelated to the piece, then she get stressed out… which is certainly not a fantastic way to begin a show!

The first common mistake dancers make is not submitting an introduction, or to hand in an intro that has only the most bare bones basic information- like the dancer’s name and the title of the piece.

If the dancer hasn’t handed in any sort of information on her piece, odds are that the emcee will probably be at a complete loss for what to include in the introduction. Though there are some very professional emcees out there, who not only delight the audience but can make any performer sound amazing, many emcees may have wound up with the job because they are volunteering at the event, or simply because they speak well. This does not mean that they know who is performing, or what the specific dance pieces are about.

You may not be aware of this, but the emcee has the hardest job in any show.


The emcee is on stage more than any of the performers, and is basically working all night! Even if he or she has a photographic memory, there is NO WAY that they will remember little detail about every performer… or the number they will be doing that night. So when a dancer doesn’t hand in the necessary information, odds are that her intro will be curt and off-hand at best! Sure, someone who is a superstar or at least, a well-known headliner can expect an emcee to say something on the money about them and their performance…however, most professionals don’t leave this up to chance- without being asked, they routinely supply an introduction, as well as stage directions, such as “Bring the lights down, do the announcement, start the music, and I will enter onstage”. That way, everything is completely spelled out, and nothing is left to chance.

The second mistake dancers make is to furnish way too much information.

Nobody attending a wants to sit through an exhaustive, rambling introduction for a five-to-fifteen minute dance piece! By the time the second paragraph is finished, the audience is getting antsy; by the time the third paragraph is finished, you can bet people are rolling their eyes!

We’ve all suffered through that long-winded, self-important introductions- you know, the ones that sound like a Wikipedia page?

“ Miss Dancer comes from a fifth generation performing family and exhibited a precocious talent by the age of two…. At the age of four, she learned to love and excel at (insert any of the following: ballet, tap, jazz, baton twirling, stage combat, acrobatics etc.)

By the age of nine, she was (insert some long winded anecdote about: appearing at the State Fair, soloing in a recital, joining a production of “The Nutcracker”, featured in a Junior Beauty Contest, accepted at some prestigious dance school, etc.)

When she reached age sixteen, she was asked to (insert any or all of these options: appear on local television, sign a talent agency contract, go on a world tour, dropped out of school to study dance, etc.)

As an adult, she has performed for (list as many organizations as you can; mention as many z-list, unheard of soap opera stars as possible) as well as won recognition and acclaim by (write down the name of every teacher you have studied with, even if you only took one class with them; add a huge list of places you have performed, and make sure to include the name of every dance contest ever entered since pre-puberty even if an award wasn’t won)"

Ok, I know I’m being a bit mean spirited here, but come on! Can you say “TMI”?

Half the time, after such a long and illustrious intro, the dancer’s set seems like a letdown…. so don’t set yourself up for that!

A great introduction should be concise and to the point, furnishing pertinent information about you and/or your piece.

It should include your name, the style of dance you are about to perform- and possibly a short explanation about the style of dance you are performing, especially if you are dancing for the general public. Example: “Tonight, Miss Dancer will be performing a Thingamajig, the traditional folk dance of Some Very Obscure Lost Tribe From A Country You Have Never Heard Of”.


It should also contain one or two pertinent pieces of information, such as “Miss Dancer recently won first place at Some Outrageously Famous Dance Contest” and/or “Miss Dancer will be teaching Bla Bla Bla next Saturday afternoon at Some Nearby Studio”.

If you are a relative newbie, it is certainly fine to tell the audience that this is your first performance in a certain genre, or to thank your teacher for giving you the opportunity or to make some other acknowledgement, perhaps to the show’s headliner for inspiring you, or maybe even dedicating your piece to someone in the audience.


If you have an exotic stage name, spell it out phonetically so that the emcee doesn’t mangle it. Don’t assume that your emcee will immediately know how to pronounce your name!

On my introductions, I always write in large letters:

Princess Farhana
(Pronounced “ Far—HAH—nah”)

And I do the same for the title of the song I’m using- especially if I want the emcee to mention it, and it’s in a foreign language!

If I’m doing a dance that tells a story, I don’t like to give the entire plot away to the audience- I usually will just put a sentence or two alluding to what the dance is about.


It’s also fine to include something cute or humorous.

Once when I was performing at Gothla USA, I was kind of at a loss for something to say about my dance piece. It was a retro piece, and it certainly wasn’t Gothic by any stretch of the imagination. But since most of the people at that event already knew who I was, and were familiar with my dancing, I went for trying to get a giggle out of the Dark Audience, and included this in my introduction:

“Most people who know her think Princess Farhana is way more scary offstage than she is onstage!”

It worked, it got a laugh.

If you really can’t think of anything else to put down on your introduction, it’s always gracious to thank the event producer for having you, or let the audience know it’s an honor to be performing for them.

So remember: your introduction should contain pertinent info, and be short, sweet and to the point.

Now, go and git ‘em!





Photo: Joel Gray as “The Emcee” in the 1972 film “Cabaret”

Thursday, December 22, 2011

THE GIFT THAT KEEPS ON GIVING...YOU!




As dancers we spend most of the year giving- we give our time, talent and energy all year round to students and to audiences. We spend our non- dancing time mending costumes, creating choreographies, developing lesson plans, taking classes, rehearsing, and doing our own administrative work. Throughout the year, many of our gigs are in honor of specific holidays, or for parties or special events marking milestones in other people’s lives.

By our very nature, we dancers are the gift that keeps on giving!

Dancers are always “on”, whether or not we are actually onstage. Though we may try to rest up and prepare for this constant out-pouring of energy, we always seem to put ourselves and our own needs last. We usually don’t get enough sleep, we eat on the go, and we rarely allow our bodies to fully heal, even though we think we do. There’s always another important gig, mandatory rehearsal or class to teach or attend.

If, like most dancers, this is your year-round modus operandi, by the time the holidays hit, you may develop an energy deficit that can sap you emotionally and mentally as well as physically. I know I am pretty depleted by this time of year...by mid-December, I've finished all of my travel and my out-of-town workshops and local classes for the year, but I can never seem to make the time to rest and recover, no matter how hard I try! This year, I'm concentrating on doing just that.

During the frenetic holiday season, really try to take some much-needed quality time to recharge your batteries and give back to yourself… even if it’s just a few moments of quiet each day.

Say no to your phone for a few hours....the world will survive without you sending constant texts or making and taking calls. Try to get enough sleep to enable your body heal naturally and become refreshed. Even an extra hour here and there can help. Don’t give in to all those glasses of champagne and yummy holiday treats- the sugar rush and crash will play havoc with your already-exhausted body.

If you don’t have children in your life, try spending some time with someone else’s kids. Even though this may sound trite( and even if you say children annoy you and that’s why you don’t have them!) hanging out with little ones will allow you to see the beauty of the holidays through their innocent eyes, not through the constant force-feeding and barrage of retail ads and blatant consumerism.

Be sure to make time for a private date with your spouse or significant other… remember that our (supportive and oh-so-patient) partners are usually casualties of our careers, too!

Now’s the time you need some pampering- especially if you don’t pamper yourself on a regular basis. This is the perfect time for you to indulge in a massage, a mani-pedi, a nice hot bath with Epsom salts, experiment with baking or some other hobby or craft you’ve always wanted to try. Spend a quiet hour alone writing in your journal, enjoying a good book…or a trashy tabloid! These little escapes are great year round, but it’s a particular a necessity at this hectic time of year.

Treat yourself to some “you time” because it will enable you to keep giving others the gift of your dancing!

Thursday, November 24, 2011

DANCE PARTNERS




It’s Thanksgiving, and I would like to take this moment to thank all of the “dance partners” out there…all the spouses, significant others and close friends who make it possible for all of us performers to be able to do what we do.

As an entertainer, having a supportive partner is paramount. Our partners are like The Great Oz, they’re the people behind the curtain…and behind the scenes, backstage, schlepping our bags, building our props, taking photos, taking us to the airport at ridiculously early hours as we leave for workshop weekends…. and picking us up when we come back, sore and hoarse and full of stories about people they don’t know.

Our dance partners are the ones driving back to get the costume piece that was left out of the gig-bag, the ones dee-jaying or sitting at the door taking tickets at the hafla, they are the stage managers and lipstick roadies, and the ones who tell us we are lovely when all the make up is off.

Our dance partners are the ones who allow us to rope them into burning cd's, being emcees, or doing something crazy in costume as part of our shows…cause nobody else would do it! They’re the people who bring us food in class when we are starving, who send us “Break a leg!” texts when we are backstage at shows they couldn’t attend.

Our dance partners are the men and women who make our websites, and make us coffee when we have early classes to teach. They’re the “civilians” who know (by osmosis) how to layer complicated moves, the ones who surprise you by knowing the difference between Egyptian and Turkish music, or classic and neo-burlesque. They're the caretakers who know when you need ice and ibuprophen, and they rub your sore muscles when you're in pain. Our dance partners are already in bed by the time we get home from gigs, but they don't mind that we came home so late. They are the ones who don't get to see us very often, but they never complain.


They are the patient souls who don’t grumble when they have to go to work covered in your body glitter, or the odd rhinestone… but wear the sparkles proudly, because they are so happy to be with a dancer, that they want the world to know!

This is for all the belly dance widowers, the burlesque husbands, and the supportive best friends who never so much as took a dance lesson but come to all the shows…thank you all so much- we couldn’t do it without you!




Photo: The Princess and her favorite dance partner, james