Believe me- that jawline, cheekbones ( and my cleavage) were NOT given to me by Mother Nature...just sayin'! Photo by Maryann Bates |
Contouring has always been
around, but suddenly it seems to be all the rage. The shading and highlighting
techniques that were once the sole realm of high fashion
photo shoots- or drag queens- have practically gone viral- suddenly;
everyone is chiseling, shaping and
molding their features as part of their every day makeup application. All the
major cosmetic lines have introduced contouring kits, and every inexpensive
drug store or knock-off brand has
followed suit.
With the right colors and a little practice, we all can have higher cheekbones,
a defined jawline and a longer- or shorter, or narrower nose.
But contouring for the stage is a very different animal than just adding a little boost to the
face that your gene pool gave you.
To begin with, you must understand - and most
of you already do- that strong, bright stage lighting will erase every one
of your features. Seriously, if you’re thinking of wearing daytime (or even
party-time/clubbing make up) on stage, your face will appear blank and washed
out in performance.
You need to pile on everything from lashes to
lip color…and even then, it might not be enough! Trust me: when done properly,
stage makeup contouring will look downright horrifying
up close, but under the hot lights, you’ll look like a perfect Grecian statue.
Though it’s always fun to get
new make up, you really don’t need any special contouring kits for this. Often,
you can find the perfect shades among the cosmetics you already own! Go ahead and splurge on Mac, Anastasia Of
Beverly Hills or Kat Von D if you
want to, but it’s totally not necessary to get the look you’re after. It really
doesn’t matter at all if you’re using an eye shadow to sculpt your cheeks- it’s
only the color that counts!
However, I will say that while cream formulas work
fine for every day contouring, for the stage you’ll probably want to use powders
or pressed pigments - they stay better, last longer, and are much easier to
work with when building your performance look.
First, you’ll highlight areas you want to
bring forward, like the planes of your cheekbones, the tip of your nose, the
jawline, and the inside corners of your eyes. For day-to-day make up, depending
on your skin color, you’d be using a matte ivory or maybe a very light rose gold, or bronze color for darker skins.
Onstage, you can use matte shades to
highlight, but frosty shades look much better, because they attract and refract light. What might look over-the-top
and…yeah, kind of…crazy... in real life will be just right for a large stage! Depending on your skin tone- and the effect
you want to project in performance- you can use any color for your highlights,
from bright pearly white to lavender, light pink (or even baby blue) to
metallics like bronze, silver or gold. With a fluffy brush, get a load of
pigment on your brush, and tap or blow off the excess. Then go to work on any
features you’d like to bring forward.
I used a light blue highlight on my temples and cheekbones |
Swirl the frosty highlight color on the tops
of your cheekbones, working it all the way into your temples. Dust a faint line
down the center of your nose, and lightly around your jawline- not underneath
it, but right along the jawbone itself. Blend all of these areas a little but not too much-remember, you’re doing
this for the stage, not every day
life! Onstage, we want our features to pop, in order for them to look
“natural”.
With a fine-tipped brush, use the same frosty
shade to draw a thin pearly area just under your eyebrow and the brow bone itself. Dab in some “eyelights” at the inside corner
of each eye. This will give a gorgeous, wide-eyed affect, really opening up
your eyes-no matter what size they are. To do this, use a Q-tip, placing it
just above your tear-ducts and slightly into the side of your nose. Just load
the cotton swab with pigment, blow or tap off the excess, and place a precise
dot of highlighter at the inside corner. This doesn’t even need to be blended. It will
look quite odd up-close but the illusion onstage will look fantastic. If you want to exaggerate the wide-set, doe-eye
look, bring the color up the inside of the eye to the eyebrow, blending it into
your eye shadow.
For
all the areas you want to recede, you will use a matte color. Do not use
pearly or frosty cosmetics for shading, because they attract light, and you’ll
be using your contouring colors on the specific areas you want to appear to be
shadowed. Once again, there’s a wide range of colors that can be used for
shading, depending on skin tone. Pick
out colors that are about two shades darker than your own complexion. Darker skinned gals can use anything from a
matte medium brown to chocolate brown; olive-skinned dancers should use a taupe or
dark beige, and a slightly rosy brown or even a brick tone will work well for
those with fair skin.
Use the
same size brush (or a slightly smaller one) than the one you used for
highlighting to dust on a darker contouring shade to the places you want to
recede. The shadowed areas will usually be just under the places you’ve highlighted, such as underneath the
natural cheekbones, and under the jawline, from ear to ear. When working on the
jawline, make sure to dust the contour shade all the way from the center of the
neck to past your earlobes, and all the way to the bottom part of the tip of
your chin. To make a wide nose appear narrower, apply a
thin line of the shading tone up each side of the bridge, blended well. To make
a long nose appear shorter, dust some of the contour shade under the tip of
your nose, again blended thoroughly. With a clean dome brush, make sure you buff out
and blend the shadowy parts- because you want to look like a chiseled goddess,
not a trashy 1980’s Mall Rat!
If you want to make your lips look fuller, you
can contour them, too. This time, you’ll
be using your lipstick and lip pencils. To give the illusion of a pouty
lip, use a darker lipstick on the top lip,
and fill in the lower lip with a color
in the same family, but one or two shades lighter. If you want your lips to look lush and
bee-stung, start out by lining them with
a flesh tone or white pencil. This will bring out your natural lip-line and
make it look more pronounced and prominent. Next, use just one shade for the top and bottom lips- a true red
with blue undertones works best and has
the added bonus of making your teeth
look whiter, too. After you’ve applied the color, blot it, apply a second coat,
and take a finger full of frosty white,
light pink or gold powder and smudge it into the center of the lower lip. Bingo- better than
having “work” done and your lipstick will stay put through your performance
without smudging!
These same face contouring
techniques can be used to highlight your body, especially when wearing costumes
that show a lot of skin, to accentuate your muscles and curves. It’s a pretty
simple process: whatever body part is lighter will stand out, and those that
are darker will recede.
With a full, fluffy brush, apply a thin-ish stripe of pearly white,
pinkish bronze or golden highlighting powder down the center of the arms and legs to make them look longer. While you’re
at it, dust some of the same powder around the curves of your shoulders, and
lightly across the tops of the breasts to make them appear fuller and more
prominent. Drawing a soft, smudged line in the center of your cleavage will
accentuate it and make it seem deeper. Make sure the actual line isn’t visible-
blend it very well- you can even dust
on a coat of translucent powder over the highlighter and contour colors instead of blending it. Since your arms, legs
and torso are much larger areas than your face, you don’t need to be quite as
careful with the blending.
Play around and experiment with
these applications, and with the colors you use, then snap a selfie or two to
see what looks best on you. With a
little practice, you’ll get these looks down to a science!
#
For even more make up tips, purchase my instructional how-to stage make up DVD “Bombshell: Dramatic Looks For The Stage, Photos and Glamorous Occasions or “The Belly Dance Handbook here: http://www.princessfarhana.com/shop.htm
Bombshell: Dramatic Makeup For The Stage, Photos And Glamorous Ocsaisions, instructional stage makeup DVD Photo by Dusti Cunningham |
www.dancegardenla.com
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