Showing posts with label Assuit. Show all posts
Showing posts with label Assuit. Show all posts

Tuesday, December 2, 2014

THE ASSIUT QUEEN


 Assiut Queen Dawn Devine aka Davina: Photo by Alisha Westerfield


Quite a few dancers can brag about having a career  that spans a quarter of a century, but not that many of them can also claim concurrent and wildly  successful careers  as costumers,  art historians and  authors! The multi-talented  Davina, aka Dawn Devine  can…only thing is, she doesn’t gloat about it, she’s  much too  nice – and busy- for that sort of thing. Easy-going, sweet and funny, Davina is so understated about her vast accomplishments, that even if you know her, they might surprise you!

Dawn has so many college degrees, they practically form their own alphabet, and in addition to performing and teaching belly dancing and costuming classes throughout the USA, she also has numerous museums show credits.  She is an expert on antique textiles  (especially Assiut, but more on that in a minute!)  Victorian clothing, and vintage couture, with many lecturing engagements under her tasseled hip belt.  She also   a slew of informative, instructional   costuming books to her credit, including Embellished Bras, Costuming from the Hip, From Turban to Toe Ring, Bedlah, Baubles and Beads and Style File.

Rayah wears a vintage assiut shawl from the collection of Judeen Esau.  This gorgeous piece has a rich blue groundcloth and a golden hue to the metal.  Photo by Alisha Westerfeld
 As anyone who knows her can attest, Dawn is a walking encyclopedia on anything concerning belly dance costuming, but her favorite subject, and most enduring obsession is Assiut, the gorgeous traditional net and metal fabric named for the    Egyptian city of the same name.  All belly dancers, no matter what their preferred style, are in love with Assiut.  Spotting a vintage piece of Assiut on eBay causes dancers to bid like maniacs, eager to  part with their rent money. Merely mentioning it  on social media causes comments like “I’m drooling all over my keyboard!”  And in real life, a shawl of vintage Assuit at a flea market has been known to induce catfights.

 Davina’s  own Assiut mania began this way:

My love story began in a crowded antique store, filled with dusty cases holding tumults of vintage items. I turned and looked across a crowded room and my life changed.  In an instant the rest of the world disappeared and I only had eyes for one thing. My love story began in a crowded antique store, filled with dusty cases holding tumults of vintage items.  There were jewelry pieces and objects d’art. There were trinkets and baubles, the day-to-day objects that populated the lives of our ancestors, 60, 80, 100 years ago.  But there, draped gently over the edge of a photo frame, and laid delicately across a shelf was my beauty.  She was creamy and soft, with pewter-toned metal stitches.  It was Assiut, and it was going to be mine!”
 
                        1920's French silent screen actress Stacia Napierkowska in Assiut


 Since that fateful moment, she’s been hooked on Assiut, also known as tulle bi telli.  It became a hobby, moved into a personal mania phase, and then, it took over her life! Now, she’s spreading the love- and her vast knowledge.


Davina’s latest book, done with  photographer and belly dancer Alisha Westerfield,  The Cloth of Egypt: All About Assiut was just published.  The book is gigantic, highly informative, impeccably researched, and loaded with incredible  vintage photos of Assuit, as well as step-by-step instructions  for fabricating costumes.

Even before the book was a glimmer in her eye, Davina   spent years researching Assuit, not to mention fabricating high-end, custom-made costumes for herself and many other dancers.

She says,

“I committed myself to a massive interdisciplinary research project with one simple mission, find out everything there is to know about the cloth we call Assiut or tulle bi telli.  The result of years of research, months of writing, crafting hundreds of costumes, dozens of photo shoots, is my new book “The Cloth of Egypt: All About Assiut.” 


 In honor of the book’s publication, Davina has  complied a list of facts on Assiut exclusively for this blog, here it is:


1 - Assiut is made from cotton.  Frequently, antique Assiut is labeled as silk, linen, or a blend, but the truth is that vintage Assiut cloth is made from finely spun, high-twist Egyptian cotton.  

2 - Assiut can be spelled in a myriad of ways.  Arabic cannot be easily translated, so rather, it’s transliterated by ear from spoken Arabic to written English, with British and Americans sounding out the words and writing them down phonetically.  This leads to more than 50 spelling variations.

3 - Most people know that the phrase tulle bi telli means “mesh with metal”... but few know that this is a marriage of three languages.  Tulle is from the name of the lace-making capital of France.  Telli is from Turkish word Tel, which means metal.  Bi is “with” in Arabic. 

4 - Assiut is a single-stitch embroidery technique.  The stitch is made with flattened metal wire called plate, and the stitch is made using a blunt tipped double-eyed needle. 

5 – Antique Assiut cloth was made by the thousands of yards and was considered the essential souvenir for travelers down the Nile during the British occupation of Egypt.  British, American, Russian, French, And Italian women all collected and coveted Assiut cloth for it’s supple drape and metallic gleam. 

6 - Vintage Assiut pieces come in three sizes.  Scarves, narrow enough to wrap around the neck, head or hat to keep flies, gnats and mosquitos off of the face.  Shawl sizes, which were designed to be worn as wraps about the shoulder, were wide enough to envelop the body, but short enough to be easily handled by the wearer.  Opera wrap or piano shawl size, which was the longest and widest, designed to fit over a grand piano, or to wrap around the body, and still have enough left to elegantly drag along the ground, a shimmering train of exotic abundance.

7 - Modern Assiut should be pounded or rolled to press down the individual stitches.   Machine wash on gentle and tumble dry low in a mesh lingerie bag to keep the stitches from catching, and pulling.  Vintage Assiut should always be hand washed and dried as flat as possible.

8 - Assiut is associated with weddings in Upper Egypt. Some of the most popular motifs are directly related to wedding symbology. Camel figures with plants, stars, or even stylized men, represent the groom.  The female figures, often holding hands, or with arms raised, represent the bride and her bridal party.  Other common images that appear in Assiut wedding shawls include combs, for preparing the brides hair, perfume bottles for anointing her body, and diamonds, protective shapes with talismanic properties to protect the bride on her special day.


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Purchase a copy of “The Cloth Of Egypt: All About Assiut” here:

 
The book's cover: I'm wearing an Assiut bra made by Davina & a pre-1919 white Assiut shawl
Photo by Alisha Westerfield



Monday, July 21, 2014

The ROYAL PALACE STATE OF THE UNION ADDRESS, SUMMER 2014

 
Dancing   to Issam's drum solo at The Baladi Tour CD Release Party, Studio Iqaat, LA  Photo: Maharet Hughes


  Hope you’re having a terrific summer!
  Mine has been jam-packed with lots of fun stuff and new projects…   seriously, I feel so blessed to be able to have my job be something I love to do!

I’ve been working on follow-ups to The Belly Dance Handbook, and Showgirl Confidential, which wills both, be out sometime in the middle of 2015.  And there is talk of a new instructional DVD- keep your fingers crossed, you’re gonna love this one!

 This summer has been non-stop dancing and touring to teach and perform by myself as well as with Issam Houshan on our BaLAdi Tour. We’ve hit Eugene, Oregon, Wichita, Kansas and El Paso Texas, and we’ll be teaching an performing a lot together next year, nationally and internationally. Like The Baladi Tour on Facebook: https://www.facebook.com/PrincessAndIssam?ref=br_tf

Baladi Tour Party Performers, photo: Maharet Hughes


 Our new Baladi Tour CD just came out; the release party was off the hook! Some of the best dancers in LA performed, many of who are internationally known, like Rania, Aubre Hill and Stefanya (all former members of Belly Dance Superstars) DeVilla and Nathalie, Olu, Adrianne and Qabila Folkloric Dance Company, directed by Aubre.

  If you missed it, the party streamed live and will be up on the internet for the next two days at www.justin.tv/iqaat Get the CD here: http://www.princessfarhana.com/shop.htm


 In between workshops in Oklahoma, The Theatrical Belly Dance Conference in New York City and Cairo Shimmy Quake in LA, (both festivals were amazing!)  I shot a movie last month with director Steve Balderson; called “Hell Town”…it’s a horror movie about a faux soap opera, and very tacky-on-purpose.  I play a very naughty and murderous nurse in the film…and I got to have blonde hair!  I also got to watch myself get killed in the movie-   cause I died off-screen. That was an experience, I tell you!



Photo: Maharet Hughes



 As of right now, I have space for two dancers in my  Star (Em)Power  Professional Development  And Mentorship Program.
  This   highly individualized course of study  will be fine-tuned to your individual needs and  help you  make your dance goals and dreams turn into reality.  It  can be accessed  from all over the world, we’ll work on your goals through live Skype lessons and discussions,  video reviews, and a plan of action, with  homework  assigned via email. Candidates are generally advanced intermediate through professional level dancers.
There is an audition process-  for more information on this opportunity, please click here:





  Here are some up coming dates for the rest of the summer, hope to see you someplace soon!

    AUG 1-3, 2014 MEMPHIS, TENNSSEE
  Show at The Rumba Room with Amani Jabril, me and live Arabic with Jonatan Gomes Derbaq & friends music plus local dancers!  Friday Aug 1, 303 S. Main Street, Memphis info:
 Workshops in Memphis Aug. 2-3
Info & registration: http://am7207.wix.com/raqmemphis



AUG 8- 10, 2014 ATLANTA, GEORGIA
 Book reading & signing party for:
“SHOWGIRL CONFIDENTIAL” & THE BELLY DANCE HANDBOOK
Atlanta Fusion Belly Dance 500 Bishop Street North Suite F-6 Atlanta, 30318
 21 or older, wine will be served with price of admission $7
Info:  amani@amanijabril.com or 404-550-4692

 AUG. 9 & 10 Atlanta, GA
 Summer Extravaganza!
 Belly dance & burlesque workshops all day and into the night at Atlanta School of Burlesque, 1745 DeFoor Place, Suit D Atlanta…. There will be a show on Sunday Aug. 10th, too, where I’ll be performing both styles!  Info: https://www.facebook.com/events/215640701978723/    


AUG 16 & 17, 2014, BILLINGS, MONTANA
  Yellowstone Valley Belly Dance Festival

AUG. 24, 2014, SUNNYVALE, CA  (SF Bay Area)
Assuit Fest:  workshops & book release party for Dawn Devine’s new book on Assuit, “The Cloth Of Egypt” info:



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 Get a signed copy of The Belly Dance Handbook  here:



Monday, May 5, 2014

EVERYTHING OLD IS NEW AGAIN: THE HISTORICAL BELLY DANCE FASHION SHOW

Mesmera in a custom made Hallah Moustafa original  Photo: Maharet Hughes, Graphic Vibe LA



 The Historical Belly Dance Costume Fashion Show took place on May 3, 2014, in Los Angeles. Produced by Jenza (Suzanne McNeil) who has been active in the LA dance scene since the 1970’s as both a performer and a costume designer. The event highlighted the diverse beauty of a plethora of lavish vintage handmade costumes and faithfully reproduced replicas from every decade in the Twentieth Century.  The pieces show ran the gamut from luxurious cabaret costumes covered in bugle bead flatwork and fringe to antique Assuit.  Some of the costumes featured were reproductions of Ghawazee or Ouled Nayl apparel, but even as replicas, since they were handmade over thirty years ago in the 1970’s and 1980’s by dancers like the legends Aisha Ali and Helena Vlahos, these costumes themselves are now vintage!                                                                          
Zoe Apoian in a  replica of  Nejla Ates'  "Son Of Sinbad" costume
by Jenza Photo: Princess Farhana



 Just some of the designers featured were the late, great Madame Abla and  Hallah Moustafa , an American dancer turned designer  who lives in Cairo, heading up her own costume atelier.  LA-based designers costumers were featured as well, including Jenza, Nadia Simone, Anaheed and Kathy Sanders, who now goes by the name Kat Bushman. All of these women were dancers as well as  designers. 
Persian Lace, pearls and bugle beads: Classic 1970's
Cabaret Costumes, Photo: Princess Farhana
Antique belly dance costumes and are an obsession of mine … I collect the genuine article as well as hand make reproductions from many decades, especially the 1920’s to the early 1960’s.  I also love wearing the genuine article, collecting and restoring older costumes to their original glory… and I am not alone!                 There are even large social media groups (especially on Facebook) devoted to discussing, caring for, buying selling and trading vintage belly dance costumes. For every dancer who must have the latest designs from Egypt or Turkey, there are countless others who are absolutely in love with the costumes of a bygone era.  Many dancers seek these elderly beauties out, refurbish them carefully and wear them as a return to the glamour and fantasy of   the days of yore.


The importance of this show- and the beautiful pieces on display- cannot be denied.  For hundreds of years, oriental dance was almost considered insignificant, even though probably at least a third of women on earth at any given time period were actively practicing it and handing down the movements -and prized costume pieces- to future generations.  Similarly, the models in the show ranged from dancers who were 1970’s veterans to those who had been performing for barely a year or two.

 Enjoy the glorious pictures!

Oceana in  a 1970's  cabaret costume by Nadia Simone
 Photo: Princess Farhana



Aisha Ali's 1980's Ouled Nayl  costume reproduction on the runway
 Photo: Princess Farhana

    
Aisha Ali's Ouled Nayl costume  as seen backstage
Photo: Princess Farhana

In my Edwardian costume replica on the runway
Photo: Maharet Hughes, Graphic Vibe LA


 Bugle bead flatwork & hand-strung fringe: Shira's 1970's Egyptian scarab costume,
made by Kathy Sanders Photo: Princess Farhana

Tova  backstage in  amagnificent pearl and bugle bead fringe costume-from the mid 1970's. Belt by Amal ( Jenny Rife) bra  designed to match the belt  by Suszanna McNeil  Photo: Princess Farhana
Helena Vlahos in action, early 1970's




Helena Vlahos and me backstage. Helena is in her magnificent '80's Serpent costume



Old meets new: Jayna Manoushe backstage on her contemporary smart
 phone, in  avintage Cleopatra costume designed and sewn by Helena Vlahos
 Photo: Princess Farhana



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 If you’re a costume addict, you’ll enjoy the many sections  on making, caring for and storing belly dance costumes- both antique and contemporary- in The Belly Dance Handbook: A Companion For The Serious Dancer.  Purchase a signed copy here: