Achmed Al-Asmar drumming for Cory Zamora at The Fez Fundraiser, July 14, 2013 |
The show was organized to raise funds for a documentary film project Roxxanne is working on about The Fez, the celebrated Arabic nightclub that became a famous Hollywood hotspot, which was owned by Roxxanne’s late father, Lou Shalaby. A talented musician and extremely well-loved club
owner, Shelaby created an amazing atmosphere at the Fez, making even first-time
customers feel like family, and introducing thousands of patrons to the beauty
of Arabic music and dance.
Antoinette Awayshak at The Fez 1961 |
The Fez was
located on Vermont Avenue in the heart of Hollywood. The instant it opened it’s
doors in 1959, it became not “
just” a nightclub, but the breeding ground for Arab arts and culture on the
West Coast. The immensely popular club not only became a center for the Arabic
community in Southern California, but a catalyst for creative Arabic
performing artists which on
to inspire generations of musicians and dancers well beyond Los Angeles. Much
of the hubbub around the Fez came from word of mouth, but a good portion of it
was largely due to the popular in-house recording “Live At The Fez”, which
featured the house band and was a hugely popular album back in the day-and is
now considered a coveted collector’s item.
Helena Vlahos in the 1960's |
Helena at The Fez fundraiser |
Aisha Ali, 1960's |
Just some of the Just some of the internationally acclaimed and
now legendary dancers that performed at The Fez were Feiruz Aram,
Syrian-born Antoinette
Awayshak, and gorgeous Greek performer Helena Vlahos. Aisha Ali and Sahra Saeeda- both known world-wide for their
incredible dance ethnology research and field recordings, worked there as
well…as did women who were quite famous at the time and during the course of
their careers gave birth to belly dancing daughters who are equally well known! These women are Marta Schill (author of the book “The Complete Belly
Dancer” and mother of Belly Dance Super Stars dancer Jayna Kouzouyan) Janaeni,
the proud mom of world renowned performer Ansuya, and Tonya Chianis, whose daughter
is Atlantis Long, who, with her mom, produces the Belly Dancer Of The Universe
Pageant, now entering it’s 24th year!
Peter Lawford, Jayne Mansfield and Lou Shalaby at The Fez |
The Fez was
also a favorite haunt of the Hollywood glitterati during it’s time, with
customers including the likes of Marlon Brando, Lee Marvin, Jayne Mansfield and
television personality Danny Thomas- who was known to frequently lead debke
lines at The Fez! Other
celebs who were regulars included Peter Law ford, Richard Thomas (no relation
to Danny, the actor known as “John-Boy” from the television show, “The
Walton’s”) and basketball great Kareem Abdul Jabbar, among many others.
At her show at the Brazil Brazil Cultural Center, Roxxanne
created the same cozy atmosphere that The Fez was famous for. In fact, it felt more like a
wonderful family reunion than a show, with generations of Los Angeles Arabic
musicians and the wonderful “dance mammas” who taught and inspired practically
everyone else that was in the room! Truthfully this was not only one of the
best belly dance shows I’ve ever seen- and I’ve seen literally thousands. The
buzz around the show itself was incredible, and it was attended by many belly
dance greats, including former Habibi publisher and famed dancer Shareen El
Safy, IAMED’s Suzy Evans, dancer, Aubre Hill, composer Dr. Samy Farag, former Fez performers Feiruz Aram, Barbara Al-Bayati, Jawahir, and
scores of well-known local dancers as well.
The show featured guest stars
Jillina, Tamer-Henna, Cory Zamora, Anaheed and Lee Ali, who, although she never worked
at the Fez, was performing on the East Coast at the same time and currently
oversees the popular 1970’s Belly Dance group on Facebook. She kicked off the evening with a
purely nostalgic period-perfect rendition of a medley of 1960’s and 1970’s
belly dance hits.
Lee Ali at The Fez Fundraiser |
But the best part was that (most of) the original band from
The Fez, as well as many of the dancers who were featured there regularly
performed. Many of the musicians and dancers who performed are well into there
sixties - and in some cases even more mature- but they became magically young
and electric the moment they started playing and dancing. The band consisted of violinist Maurice Saba, Rico Orel on
oud, percussionist Var Daghdevirian, and tabla player Achmed Al-Asmar.
It was marvelous to see full sets by these incredible
performers, including all the amazing
“old-school” American Cabaret / Vintage Orientale bells and
whistles- gorgeous veil
work, lots of zills, dynamic live drum solos, and Fahtiem even did a Sultan Act
with a very pleased member of the audience! Anisa, of Anisa’s School Of Dance
did a cute flirty folkloric number, Aisha Ali was elegant, Helena Vlahos was
regal and lithe and kicked ass (as usual!) on her cymbals. Atlantis performed in a massive 70’s
style cape in place of her mom, who was just enjoying the show and having a
ball. And of course, it was super-amazing to witness all the past history- and current scene come together...pure magic!
Atlantis at The Fez Fundraiser |
During the show’s intermission, Roxanne
screened a selection of interviews with the Fez dancers. The footage was shot
beautifully, and the interviews were priceless- ranging from affectionate
reminiscing to crazy backstage anecdotes.
The night ended about three hours later than it was supposed to… which
was no surprise because nobody wanted it to end at all!
But it doesn’t have to end… as I stated previously, Roxxanne
Shelaby is in the midst of writing, directing producing a documentary film (co-directed by Greg Williams
with cinematography by David Rapka) about The Fez.
Find out more about The FEZ Documentary here:
If you wish to
contribute to The FEZ project- any amount will help- you can do so here:
Read “Great
Moments At The Fez” by dancer (and Fez favorite!) Feiruz Aram, in a vintage issue of Habibi Magazine here:
The man with Jayne Mansfield is not Peter Lawford, but Jayne's husband at the time, Mickey Hargitay.
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